Showing posts with label self-publish. Show all posts
Showing posts with label self-publish. Show all posts

Wednesday, 10 October 2012

Targets and Expectations: A Guest Post from Ethan Jones

Author Ethan Jones is with us today to talk about some of the things you should expect when self-publishing, and to share a sneak peek at his new Justin Hall spy thriller, Tripoli's Target.  Plus, he has some copies of that new book to giveaway to the first few readers who send him an email mentioning his blog post (for his email address check the links list in this post).  In addition to the giveaway, you can also download a free copy of the first Justin Hall thriller, Arctic Wargame, as Ethan is running a three-day promo (Oct 9-11) on Amazon.  So please welcome Ethan, and read on...



Self-publishing and Expectations

As writers, we want everyone to not only read our books, but also love them. The reality is, of course, a bit less stellar and much more sobering. Not everyone will love your books. Not everyone will read your books. In fact, even your closest friends and relatives may not buy and read your books.
Arctic Wargame, my debut spy thriller, came out officially on May 22, although I uploaded it on Amazon.com a few days before that date, just to make sure everything worked fine. I promoted my work extensively on my Facebook personal page (which has almost 200 friends) and Facebook author page and my Twitter account. I e-mailed pretty much everyone on my e-mail contact lists. I put up posters at my workplace and announced it on the newsletter of the church I attend. The result: I can count the book sales from this blitzkrieg with the fingers of one hand.
What is happening here? Why aren’t these people who I consider friends and close acquaintances buying my book? They don’t love me? They don’t care? What, then?
You may have wondered about these things if your experience is similar to mine. The answer to these questions is complicated and lies as much in your expectations as in the reaction of your friends and relatives.
In terms of expectation, there is nothing wrong with aiming high and dreaming big. But self-published writers need to brace themselves for the most likely scenario of a slow start of their career. Gaining recognition and gathering a readership is generally a marathon, not a sprint. Even many traditionally published authors attest to many difficult starts. Allow yourself time and be prepared for a long journey. Nurse patience and develop a hard skin for negative criticism and rejection.
In terms of your friends and relatives, they are not really to blame. At least not en masse. They love you, of course, each in their own way. Some of them are forgetful, fully intending to check out your work, but then life got in their way. Others simply are non-confrontational and do not want to tell you they are simply not interested in the genre in which you write. After all, we have different tastes and what you spent a year or more writing, re-writing and revising may just not be their cup of tea. Then, you could even have the occasional acquaintance or “friend,” who considers your success as a threat or resents it for whatever reason and has has no intention of supporting your efforts.
The bottom line is that even if all your friends and acquaintances bought your book, that is still quite a limited number. The goal of each author is to sell to complete strangers, who pick up your book solely because they heard something good about it, and they want to enjoy a great story. Then, if they like it, they will want to tell their friends about your work.
During the first few days that Arctic Wargame and my two short stories were published I used to check my sales and ranking almost every hour. Now I checked it once a month, just to make sure there some activity is taking place. I promote my work vigorously and I advise you do the same. We can’t control who buys our books, but there is something we can all control: how much promotion and marketing efforts we put on our products. I know we are writers, but self-published authors have the additional task of becoming salespersons. We need to take our work to the public and hope and pray they will enjoy our stories.
And don’t forget to keep writing. Perhaps your second, third or twentieth book will become a best-seller. At least, that’s my hope.


Tripoli’s Target

Justin Hall and Carrie O’Connor, Canadian Intelligence Service Agents, find themselves in lawless North Africa on the trail of an assassination plot. The target is the US President, and the hit is scheduled to take place during a G-20 summit in Libya’s capital, Tripoli. But the source of their information is the deceitful leader of one of the deadliest terrorist groups in the area. Ambushes and questionable loyalties turn an already difficult mission into a dark maze of betrayal and misdirection.
Forced to return to Tripoli, Justin and Carrie dig up new intelligence pointing to a powerful Saudi prince bankrolling the assassination plan. What’s worse, Justin and Carrie realize something crucial is very, very wrong with their plan. The summit is only forty-eight hours away and they still have to stop the Saudi prince, dismantle the assassination plot, and save the life of Tripoli’s target.
Tripoli’s Target promises to take the reader through a great story as it becomes the next international bestseller. Fans of David Baldacci, Vince Flynn, and Daniel Silva will love this high-octane spy thriller.


An Excerpt From Tripoli's Target:


“An army of sheep led by a lion would defeat
an army of lions led by a sheep.”

“It is better to die in revenge than to live on in shame.”
Arab proverbs


Prologue

Tripoli, Libya
May 13, 6:15 p.m. local time

Satam, the driver of the fifth suicide truck bomb, turned onto Ar Rashid Street, merging with the warm evening traffic. He rubbed his sweaty palms against his short khaki pants, his gaze glued to the silver BMW Suburban in front of him. He heaved a wheezing sigh and tapped on the brake pedal. A red traffic light halted the five-vehicle convoy.
A stream of cars rushed through the intersection leading to the business district of downtown Tripoli. Tall skyscrapers rose over most of the city’s old colonial-style buildings. The green and gold banner of Jacobs Properties—one of the major British real estate developers in Libya—beamed from atop the glass-and-steel façade of the newly finished Continental Hotel. The same logo had been painted hastily on the left side of the BMW packed with Semtex explosives. Walid, its driver and a Jacobs subcontractor, had exchanged his blue coveralls for a business suit and the promise of martyrdom.
A glance at the dashboard clock told Satam the synchronized explosion would take place in ten minutes. The thought of the coming carnage drained the last drop of courage from his heart. He rolled down the window, but the humid air—blended with the aroma of fried falafel, onions, and lamb donairs from a nearby street vendor—made him nauseated. He gasped for air, sticking his head out of the window. He coughed and struggled to catch his breath. The drivers in the other vehicles shot him curious glares. Behind the truck, the driver of an old Mercedes honked his horn twice. Satam swallowed hard and wiped the sweat off his narrow forehead. He waved at his audience to show them he was doing all right.
“Satam, what’s the matter, brother?” the radio set on the dashboard crackled. He recognized Walid’s gruff voice.
Satam looked at the BMW. His watery eyes met the reflection of the driver’s face in the rear-view mirror of the Suburban. The driver’s usual wicked smirk stretched his lips, revealing his large buckteeth. Walid waved his hands wildly. Satam could not see behind Walid’s black aviator shades but assumed his eyes were ablaze with rage.
“Nothing’s wrong. Just needed some air,” Satam replied over the radio.
He rolled up the window before Walid could scold him with another howl.
“Great. Now that you’ve closed the window, open your eyes!” Walid barked. “You’re not a coward like the infidels, are you?”
Satam shook his head.
A third voice came on air before he could say anything.
“Cousin, I pledged my honor so you could be a part of this mission. Don’t you back down now!” Satam’s cousin said. He was driving the Toyota at the head of the convoy.
Satam sighed and paused for a couple of seconds. “I’m not backing down. You can trust me. I will not disappoint you or the brotherhood.”
“That’s my flesh and blood who is soon to be a martyr,” said the cousin in a relaxed tone. “Our families will be proud of us, and our reward will be glorious.”
“It’s easy for you to say, since tonight you’ll be welcomed to paradise,” Satam said.
He noticed the traffic lights changing and stepped cautiously on the gas pedal. The truck jerked forward a few inches before the ride turned smooth again.
“Won’t take long before you join us there,” Walid said.
“Yes, but not before being dragged through the secret police hellish cells…” Satam’s voice trailed off.
“Allah will give you strength, cousin, and soon he’ll take you home.”
“He will, brother, he will.” Walid revved the BMW’s twelve-cylinder engine. “For sure, I’m going to miss this ride.”
“There will be plenty of rides up there to keep you and everyone else busy,” the cousin said with a quiet laugh. “Now may Allah be with us all. Over and out.”
Walid nodded and turned left toward the Continental Hotel.
Satam’s destination, the Gold Market, was to the right. He steered in that direction. He zigzagged through a few crooked streets and slowed down when reaching the Old City. The blacktop disappeared, and the uneven gravel crackled under the tires. Old cars, horse carts, and pedestrians came into view, along with whitewashed stores selling gold and jewelry. The streets narrowed into barely a single lane.
Satam rolled down the window for sideways glances to avoid brushing against planters, chairs, and vendors selling all kinds of junk. A stomach-churning stench from days old fish, fried grease, and sweat overwhelmed him. Satam felt his head grow heavy, and he hit the brakes.
The street vendors lost no time peddling their wares. A crowd of young boys swarmed his truck. He yelled and shoved away a few of the bravest salesmen waving handfuls of souvenirs in his face. He kept brushing away the hagglers, when suddenly a pointed metal object was shoved against his forearm. Startled, Satam withdrew his arm inside the cabin. He glanced at one of the boys holding a string of scimitar replicas, the sword tribesmen in North Africa carried in ancient times. The curved blade was dull with a rounded point to prevent accidental stabs. Still, the swift jab at his forearm summoned awful visions of the future.
He saw himself hanging upside down in a dark, grim dungeon, tied to the ceiling beams, while three secret police agents “interrogated” him. They would use various methods to “jog” his memory and break his psyche. Sleep deprivation and intimidation by police dogs were just the welcome package. Other techniques included breaking fingers and simulated suffocation with plastic wraps and water boarding. I will tell them everything right away before they even touch me. He struggled to wipe the vivid images from his mind.
Satam slammed on the truck’s horn to clear a path through the crowd. The blaring horn startled him more than the boys and the occasional onlookers. He glanced at the dashboard, realizing he had less than two minutes to reach the busy marketplace square five blocks away. It will be impossible to make it on time.
He blasted the horn again and stepped on the gas. The truck moved slowly, and Satam wrestled to make a left turn. The alley grew wider. The truck sped up, its wheels dipping and climbing in and out of the potholes. He rushed straight ahead, inches away from oncoming taxis, their honks protesting his unsafe speed. A few sidewalk vendors dove out of the way, their overflowing baskets of bananas and grapes spilling all over the place. Tires screeched as he turned right, jumping the curb and narrowly missing a large bronze planter outside a soap store.
The Mediterranean Sea was now visible to his right, through palm trees, coffee shops, and fruit vendor stands. Satam stared ahead at the wide square, one of the busiest markets in El Mina, the ancient city. The bazaar rumbled with vendors squabbling over a few dinars with tight-fisted tourists. I made it. Yes, I made it. He turned his gaze to the left, toward Tripoli’s skyline, and slowed down before parking the truck in front of a small restaurant. He took a deep breath and dabbed at his forehead with the back of his hand, wiping off a sea of sweat.
The dashboard radio crackled and he picked up the receiver.
“Allahu Akbar! Allahu Akbar!” The loud voice echoed over the radio. Satam recognized Walid’s shouts.
A second later, a loud explosion rocked the entire square. Satam’s gaze spun toward the business district, where a cloud of grayish smoke billowed around the Continental Hotel. Chaos erupted among the street vendors who scattered and forgot about their produce and the evening’s clients. The patrons of coffee shops rushed to the streets, staring in disbelief at the sight. Cries of hysteria overtook the growing crowd. Elderly women beat their heads and chests with clenched fists. Young men pointed and shouted, their bodies restless. The sharp siren of an ambulance sliced through the cacophony of terror.
With a quick movement of his wrist, Satam consulted his watch. Just as the digits registered 6:31, another explosion shocked the crowd. This time, the bomb hit closer, much closer, merely five blocks away. From inside his parked truck, Satam looked at the bright yellow glow of the blast. High flames leapt at a ten-story office building. A thick cloud of black smoke began to swallow up the tower. The crowd broke into smaller groups. People scurried in all directions. Some ran back to their shops and apartments. Others simply circled the area, perhaps unsure of the safe way out.
Satam knew his time had come. He revved the engine and stomped on the gas pedal. The truck arrowed toward the vendors’ tables. The market was mostly empty, and the truck crashed into crates of fish, baskets of grapes, and barrels of olive oil. Produce scattered everywhere as the truck rampaged through plastic tables and chairs.
A police truck zipped toward him. Satam steered around, not to escape, but to meet the approaching vehicle. The two policemen in the truck ignored Satam. They were going to drive past him, but Satam swerved hard. The right fender of his truck smashed into the left side of the police truck. The police truck jerked to the other side. He pulled over and stopped less than thirty feet away. The other policeman rolled down the window. Satam stared at the muzzle of an AK-47 assault rifle.
“Don’t shoot. Don’t shoot,” Satam shouted and opened his door.
A quick burst of bullets sent him ducking for cover in the front seat. A shower of glass shreds fell over his head.
They’re going to kill me before I even have a chance to open my mouth. Or one of the bullets will blow up the truck. I can’t let that happen.
He looked at the back of the truck. Thirty pounds of Semtex explosives wired into a homemade bomb were stored inside the seat compartments. He noticed the cellphone on the floor mat by his left hand. He reached for the phone. All it would take for him to set off the explosives—and pulverize himself and the policemen—was to tap three preset numbers. His fingers hovered over the phone, but he remembered his family’s honor and the reward waiting for him in paradise. He dropped the phone to the floor, buried his head in the seat, and locked his fingers behind his head.
A minute or so passed before the shooting stopped, but the screaming continued. At some point, he heard the distinct thuds of combat boots marching down the street. The police were approaching his truck. He looked up slowly as a policeman pulled open the driver’s door of his truck and aimed an AK-47 at his head
“Don’t move!” the policeman ordered.
Satam nodded.
Without a word, the policeman juggled the rifle in his hands and slammed its buttstock hard against Satam’s head.



Links:

My blog: http://ethanjonesbooks.wordpress.com is the place to learn about my future works, to enjoy exclusive book reviews and author interviews.
Follow me on Twitter: https://twitter.com/EthanJonesBooks
My Facebook page: http://www.facebook.com/pages/Ethan-Jones/329693267050697
I love readers' feedback. They can get in touch with me via e-mail at this address: fictionwriter78@yahoo.com   I promise to write to each and every one of them.

My works can be found here:
Arctic Wargame (Justin Hall # 1)
Tripoli’s Target (Justin Hall # 2)
Carved in Memory: A Justin Hall Story
Burying the Truth
The Last Confession


Author Bio:

Ethan Jones is the author of Arctic Wargame—the first spy thriller in the Justin Hall series, released in May 2012, and Tripoli’s Target—the second book in this series, released on October 4, 2012. He has also published several short stories. Ethan is a lawyer by trade. He lives in Canada with his wife and son.
 

Monday, 11 October 2010

The Stereotype of Self-publication

Today we have a guest, Robin Cain, author of When Dreams Bleed, discusing the hot topic of self-publication.


The Stereotype of Self-publication by Robin Cain:
I am a self-published author.

I am stating this upfront to bring attention to some preconceived notions many people have about “traditional publisher rejects”. I’m aware that this is what many of you (readers) call us (self-published authors), so why not get it out in the open? I know… you think we couldn’t sell our manuscripts, our writing stinks; we don’t edit our work. Yada, yada, yada. Much of this is true about some self-published authors; some of it is just plain garbage. On the other hand, much of it is not.

Nowadays, while millions of writers are querying agents each year and not getting through, new avenues of publication are becoming easier, more affordable and making more economic sense. Why wouldn’t any new author consider self-publication as a means to an end?

The traditionalists will answer, “Exposure and reputation” and they won’t be too far off the mark.

When an author chooses (for whatever reason) to self-publish, he immediately loses the connections that a big-name publisher brings to the table. That is no small loss. Being backed by a Simon & Shuster can go a long way to getting one’s books in readers’ hands. Additionally, when an author chooses to self-publish, they immediately have the stereotype branding – “self-published: must not be any good”. These two items are tough to argue, but…news flash, folks: This is all changing.

With the advent of e-publishing, social networking, online media and book pricing wars, the book selling market is changing – and changing rapidly. The book business, once rationed off in predetermined slices, is now anyone’s market. More and more of the “unknowns” are getting a piece of it – a piece which up until now would never have been theirs for the taking. One may or may not be a fan of the Kindle or e-books in general, but their impact on the book-buying market can’t be ignored – particularly after Amazon’s announcement that Kindle book sales recently surpassed regular book sales for the first time in history.

With an increased market share and greater exposure, it is now possible for a self-published author to attain the same level of success as traditionally published authors - as long as they follow the same rules:

Write quality work

Get it professionally edited

Have it reviewed by a multitude of unbiased readers (and re-write if necessary)

Hire a professional cover designer and formatter

Create a good platform… and then market the hell out of yourself!

Unfortunately, there are a great many writers out there who don’t follow these rules and it makes it awfully difficult for those of us authors that did (and do). Regardless, whether traditionally published or not, reputation still has to be built one book at a time.

So how do we get rid of the stereotype and reach those readers who otherwise wouldn’t give us a second look? Like any author (super star or rising star), we just hope the cream rises to the top, word-of-mouth does us some favors and generous bloggers (Thanks, Anita!) give us some of their spare space…


© 2010 Robin Cain, Author of WHEN DREAMS BLEED

Robin Lives in Scottsdale, Arizona with her husband, daughter, three dogs, three horses and an adopted donkey named Sophia. As a novelist and regular contributing writer for The Examiner, she spends her days searching for the perfect words to amuse, enlighten and touch her readers. A 3-chapter excerpt of her book, WHEN DREAMS BLEED, can be found on her website, http://www.robincain.com/


Robin's blog:  http://robincain.wordpress.com/


Sunday, 4 May 2008

What is wrong with publishers?

Q: How does a new writer get published?

A: With extreme difficulty.


These days it seems that the publishing industry is lined up against the new writer, bent on stopping them from becoming an author. Which to me seems stupid. What is going to happening to the publishing industry if they don't have new authors?

Traditional publishers seem to have a certain disdain for new writers, giving their preference to established authors that have a proven track record. Understandable, but as a long range strategy, a bit silly. Established authors won't publish indefinitely, and if all the new blood is going elsewhere or giving up entirely, what will they be publishing?

Now new writers can self-publish, which can be expensive and time-consuming, but it is a viable option these days. But even this area is being harassed; by traditional publishers who seem to feel threatened by the competition and now by Amazon/Booksurge who seems to want to exert a Big Brother control over the industry. And the writer is the last person considered, again.

Small press publishing seems to be the best way to go for the new writer, but even here the process is hampered, simply because the publishers are being swamped with submissions. I did a search of dozens of these companies and quite a few are no longer accepting submissions because they simply cannot handle the overload.

So there are writers out there looking for publishers. Will there be a place for them in the future, or will we lose their prose to greed and short-sighted CEO's.

Sunday, 30 March 2008

Are Amazon and Booksurge bullies?

Amazon is currently busy ruining the ability for self-published authors to sell on their retail site. Unless of course they have published through their new company, BookSurge. What is even more insidious is they are actually trying to blackmail their rivals, (sites like Lulu.com, iUnverse, etc.), into using the BookSurge printing service.
How are they doing this, you ask? It's simple.
Most self-published authors use a subsidy publisher; the author pays for the cost to assemble the book(stuff like editing, cover art, etc), and the subsidy publisher takes care of the printing (usually Print-on-Demand, which basically means
a copy of the book is printed as it is purchased) and distribution (usually to places such as Amazon or Barnes and Noble). Amazon's BookSurge is one of these subsidy publishers, and unlike other subsidy publishers (who outsource the printing, mostly to Lightning Source) it has its own POD printing service.
This is how Amazon is extorting the other publishers. Amazon is telling subsidy publishers, if you are
not currently using BookSource as your printing service, your authors will not be able to sell on Amazon. They are actually disabling buy buttons for these books; PublishAmerica and Whiskey Press are the first victms.
If this continues, BookSurge will be the only one who gets to sell on Amazon; very convenient for Amazon.
At the very least this is a conflict of interest, at worst it is an illegal monopoly, extortion, and market fixing.

In the interest of being fair I emailed Amazon.com to see what they had to say on the matter.
Here is the email I sent:
"I would like to know if your company is seriously considering forcing independent, Print-on-Demand publishing companies, to use BookSurge. Even going so far as to threaten to disable the Amazon buy buttons on their titles if they do not comply.
Don't you realise the damage to authors this policy will wreak, or the fact you are leaving yourselves wide open to charges of illegal monopoly?"

This is their reply:
"Thank you for writing to Amazon.com

If you are interested in printing books on demand, we strongly recommend you work with BookSurge, an Amazon.com Company which offers complete publishing and printing services for authors and publishers. Whether your book manuscript is a ready-to-print finished PDF file or a working draft requiring editing, illustration and printing services, we've got the resources you need to get your book into distribution cost effectively.

BookSurge will be able to assist you with the preparation of your title(s) and, once ready, can print on demand as you require, including quick fulfillment for orders placed on Amazon.com. In the future, you will be able to manage your account with physical books or print on demand books with BookSurge through the Advantage interface. You can find more information about BookSurge here:

http://www.booksurge.com

If you have further questions about BookSurge after reviewing the web site above, please feel free to write to customerservice@booksurge.com.


Best regards,

Ajeeth
Amazon.com Customer Service
http://www.amazon.com "

So do you think Amazon is in full marketing mode or what?

It was this email, and the callous disregard of my concerns that promoted me to create an online petition to fight Amazon and BookSurge.

If you want to sign, you can go here:

Stop the BookSurge Monopoly


Sunday, 30 September 2007

Why is Self-publishing the wrong move?

Answer: It's not necessarily wrong at all.

I recently Googled, looking for information on editor services for the self-published. I kept coming across articles on how you should not self-publish, that you should always try the traditional publishing route.

This made me angry. Why are people so against self-publishing?

One article said the self-publishing companies are just in it for the money. True. But traditional publishers are in it for the money too.

Publishing your book comes down to either fighting through the system (and it is a fight to get a traditional publisher to even look at your manuscript), or doing the work yourself with self-publishing. And if you are going to self-publish it is going to take work. But it should be your choice.

And yes, there are a lot of bad books self-published. But there are bad books published the old-fashioned way as well. I know I've read some.

I say stop bad-mouthing the self-publishing industry and try to fix it. Opportunities are better the destroying potential dreams.

Tuesday, 5 June 2007

To Self Publish?

Why isn't self-publishing a highly regarded alternative for would-be authors? I think it should be, especially in these days of money over art.
Of course you can get a lot of crap published as a book, badly written or badly plotted, but mainstream publishing puts out crap, too. The DaVinci Code springs to my mind as a good example. So I say the argument of self-publishing as a haven for hacks is full of holes.
In fact I say self-publishing may be the only way some writers can get published, and that is a loss for readers who won't give self published books a try.
I think self-publishing should get some respect.

Friday, 11 May 2007

My Yahoo group.

I just created a group on Yahoo, for the promotion of self published writers, and their readers.
Anybody who wants to join is welcome. I am trying to start a self publishing forum with this group, to help authors get their work out to the public.
I am encouraging shameless promotion!
Here's where you can find the group: PODauthor

Subscribe Now:

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