Showing posts with label horror stories. Show all posts
Showing posts with label horror stories. Show all posts

Tuesday, 21 January 2025

Book Spotlight: Midnight Vintage

Another book spotlight today, for the story collection Midnight Vintage by Sean Eads and Josh Viola. Enjoy.


Midnight Vintage by Sean Eads and Josh Viola





A collection of haunting short stories that delve into the darker sides of the human soul, this horror book explores raw emotions of desire, despair, and obsession. Each tale is set in an atmospheric world where shadows loom large, and the pursuit of unattainable goals leads characters to face terrifying consequences. Whether it’s the unsettling grip of supernatural forces, the harrowing effects of self-destruction, or the chilling embrace of violence, these stories invite readers to explore the depths of horror, grief, and madness. With unique and frightening twists, these tales will keep you on edge long after the last page is turned. 

Step into the unknown, if you dare!










About the Authors:


Sean Eads is a writer and librarian living in Denver, Colorado. He is originally from Kentucky and has a Masters degree in literature from the University of Kentucky and a Masters degree in library science from the University of Illinois. His first novel, The Survivors, was a finalist for the Lambda Literary Award. His third novel, Lord Byron’s Prophecy was a finalist for the Shirley Jackson Award and the Colorado Book Award. His fifth novel, Confessions, was also a finalist for the Colorado Book Award. His favorite writers are Ray Bradbury, Herman Melville, Cormac McCarthy and Ernest Hemingway.

Website: www.seaneadswriter.com


Joshua Viola is a Colorado Book Award winner and Splatterpunk Award nominee. He co-authored Legacy of Kain: Soul Reaver - The Dead Shall Rise, an official prequel to the beloved video game series, which became the 4th most funded graphic novel of all time on Kickstarter, raising over $1.4 million. He edited the Denver Post #1 bestselling horror anthology Nightmares Unhinged and co-edited Cyber World, named one of the best science fiction anthologies of 2016 by Barnes & Noble. He co-authored the comic book slasher series True Believers with Stephen Graham Jones, featuring official cameos from icons like Jamie Lee Curtis, R.L. Stine, Jeffrey Combs, and Barbara Crampton. As a producer, he has contributed to films such as Aliens Expanded, The Thing Expanded, TerrorBytes, Shelby Oaks, Shrine of Abominations, Deathgasm II: Goremageddon, and the recent Deathstalker reboot directed by Steven Kostanski (The Void, Psycho Goreman), starring Daniel Bernhardt (The Matrix, John Wick) and produced with Slash from Guns N’ Roses. In 2024, he founded Bit Bot Media with musician Klayton (Celldweller), a multimedia company focused on original and licensed IP, including The Terminator, Legacy of Kain, Evil Dead 2, and more. Bit Bot also collaborates with Canadian film studio Raven Banner Entertainment on film productions, merchandise, and distribution, including titles like The Autopsy of Jane Doe and the documentary Hate to Love: Nickelback. Joshua’s video game development includes work on titles such as The Rocky Horror Show, Pirates of the Caribbean: Call of the Kraken, Unioverse, The Smurfs, TARGET: Terror, and others. He is the owner and chief editor of Hex Publishers and resides in Denver, CO, with his husband and son.

Website: www.joshuaviola.com






Saturday, 14 August 2021

Book Spotlight: Deathly Fog

Today I bring you another spotlighted book, Deathly Fog by Adam Breckenridge, part of the Horror Bites series of books. Enjoy.


When Jacob and his brothers discover the ability to capture fog from the marsh behind their house, they bring it back with them. The fun game turns to danger as they realize perhaps something else accompanied them home. Is it too late to escape the Deathly Fog?

Available now on Amazon Kindle

 *****EXCLUSIVE EXCERPT BELOW*****

Deathly Fog

by Adam Breckenridge


Because the marsh at the edge of our property was forbidden to us, my brothers and I would take any chance we could get to slip away from under our mother’s nose and go stand at its edge. She had told us it was dangerous because so many things died there and we knew it was true, despite how many plants and bugs we found there. Even with all that life, the marsh was still where things went to die. My older brother, Jacob, used to tell us that there were bodies buried everywhere in the muck, going back hundreds of years.

“From back when it was Indians killing other Indians,” he said. “Centuries of murder down there. If you pulled the bodies up they’d look just like they’d been killed yesterday.” 

We poked around a lot trying to find a human body. We never did, but we found just about every kind of animal that we knew lived on our property. Squirrels, rabbits, frogs, snakes, and birds, all mummified in a terrible imitation of life. 

And then there was the fog, always so thick you could never see more than a few feet in front of you. It didn’t matter when you went. No matter how sunny the day was, as soon as you passed into the marsh, the world became murky and dark. That’s why we only ever stood on its edge. We were pretty sure if you went in, the fog would eat you whole. It could certainly move in ways that seemed unnatural for fog. Sometimes I was convinced it had teeth, but we were always safe as long as the air to our backs was clear. 

When we weren’t there looking for dead bodies, we’d try to catch the fog in our hands instead. That’s how thick it was. You could actually cup it in your hands and hold it there. It was like holding a ghost. You could feel all that death from the marsh in it chilling your skin. It became a game for us to see who could hold their fistful of fog the longest, and then the game became running toward the house while trying to enclose it, which further evolved into a determination to try to get into the house while still cupping the fog in your hands. We never made it anywhere near the house. The fog was too slippery for the task, dribbling out between our fingers as we ran.

But then Jacob figured out a way to blow on the fog that would make it spin into a globe. He’d stay down there at the marsh’s edge for hours, practicing rolling the fog in his hands with his breath, trying to keep it going for as long as he could. It always bored the hell out of me and our younger brother, Mattie. Neither one of us could do it. We just didn’t have the breath for it, but we never wanted to leave him alone while he practiced because that’s how bodies go missing in the marsh. You never knew what was hiding in the fog just out of view. So, we’d stay and watch, keeping an eye on the fog for him in case one of those dead Indians rose from his grave and came after us with his tomahawk.

“Okay, I’m ready,” Jacob said one day after practicing for awhile. He scooped a fresh batch of fog in his hands and then started running for the house, keeping it spinning with each exhalation like it was the world in his grasp. 

We ran after him, not getting too close in case we tripped him up. I could see bits of the fog slipping away, but he was keeping a lot of it in his hands, blowing and running at the same time. 

Mattie rushed ahead to open the front door for him and then he was through, still a few wisps clutched in his hands. In the atrium, he stopped blowing and we watched the fog dissipate above us.

It should have been a cause for celebration—we had finally pulled off the impossible task—but a somber mood struck us. The marsh was a place of death, not fit for any house, let alone our house, and we had brought some of its morbid air into it. The decay had diffused and we could never get it back. My brothers and I breathed gingerly for a long while afterwards, feeling the stink of death in our lungs everywhere we went in the house.

The fog sat long in our minds so that even as we aged and shed our childish beliefs, the specter of death never stopped hanging over the house. Our house was a place of life, not just with our family coming in and out of it and all the pets and plants we had, but also the spiders, rats, and mold in the basement. Even the furniture, which was old and made of wood, had a certain life to them. There wasn’t a corner of the house that didn’t have something breathing in it, but since we unleashed the fog, the house was just as much a place of death as the marsh was.

Jacob was more adamant than any of us in trying to dismiss the weight of our superstition, but I could tell it bothered him as much as it did the rest of us. 

Read more of Deathly Fog.

 

ABOUT THE AUTHOR

Adam Brekenridge is a traveling professor for the US military who goes around the world teaching US soldiers stationed overseas. He has eighteen short story publications and most recently his work has appeared in Visions Magazine, Mystery Weekly, and Clockwork, Curses and Coal from Worldweaver Press. He's currently based in Seoul.

***

Horror Bites Series
Short horror stories at an affordable price. 


Volume 1: Alice’s Scars by Adam L. Bealby

When he met Alice, he wasn’t prepared to go down the rabbit hole. His love for her pushes him into the uncomfortable realization she might be mad. He wants to keep her safe, but what if that’s not what Alice wants?


Volume 2: Campfire Tales

Dear Reader,

You’ve been invited to a very special night of Campfire Tales, hosted by HorrorAddicts.net. Meet us at Old Bear Creek, just past Dead Man’s Curve. Dress warm. We’ll be waiting.

Four scary tales told by Next Great Horror Writer finalists and woven together by a trek through the woods you’ll never forget.


Volume 3: #NGHW Editor’s Pick

HorrorAddicts.net is proud to present our top 14 contestants in the Next Great Horror Writer Contest. The stories, scripts, and poems are the result of the hard work and dedication these fine writers put forth to win a book contract. We hope you enjoy the writing as much as we did.


Volume 4: #NGHW Winner

Requiem in Frost by Jonathan Fortin

BLACK METAL LIVES! When Ingrid and her mother move into a home in the deep frostbitten woods of Norway, they are haunted by extreme metal musician, Skansi Oppegård. Hoping to exorcise Skansi’s ghost, she talks her mom into being part of a metal band. Oppegård’s last musical creation awakens forces beyond Ingrid’s understanding and causes Skansi’s murderer to resurface. In the battle between a madman and zombies, metal may be the only weapon she has.


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