Showing posts with label gothic. Show all posts
Showing posts with label gothic. Show all posts

Friday, 3 October 2025

Book Spotlight: Lilitu: Bloody Caleb

Today I have a spotlight on the new release, Lilitu: Bloody Caleb by Jonathan Fortin, a gothic horror novel. Enjoy.



Lilitu: Bloody Caleb


Dante’s Inferno meets The Count of Monte Cristo in Lilitu: Bloody Caleb, the newcomer-friendly second volume in a Gothic Dark Fantasy saga of revenge, seduction, and the horrors of Hell.


22-year-old Caleb Schwartzenfeld is a vagrant violinist, struggling to survive the fog-choked streets of Victorian England. But when his search for a patron leads him into the clutches of a sinister cult, he is brutally sacrificed—and awakens in Hell, a nightmarish realm filled with demons who delight in torturing damned souls like him.


Refusing to let eternal agony break him, Caleb vows to escape from Hell, reunite with the woman he loves, and exact revenge on those who murdered him—even if it means becoming a demon himself. But as he becomes seduced into the twisted pleasures and deadly politics of Hell’s elite, Caleb must decide whether reclaiming his life is worth risking his soul.


Book Link: https://getbook.at/Lilitu2

Series link: https://geni.us/LilituSaga







About the Author


Jonathan Fortin is a neurodivergent author and voice actor from Oakland, California, whose dark fiction has been published by such presses as Crystal Lake Publishing, Dark Recesses Press, Mocha Memoirs Press, and Siren’s Call magazine. In 2017 he won the Next Great Horror Writer competition from HorrorAddicts.net. He is an affiliate member of the Horror Writers Association, a graduate of the Clarion Writing Workshop, and a summa cum laude graduate of San Francisco State University’s Creative Writing program. When not writing, Jonathan enjoys wearing Victorian gothic attire, growling along to black metal, and exploring all things odd and macabre in the San Francisco Bay Area.

Website: https://www.jonathanfortin.com/


Saturday, 4 August 2018

Interview With Author Craig DiLouie

Today I have a treat, presenting a terrific interview with speculative fiction author Craig DiLouie. He stops by to chat about his books, characters and the genre of speculative fiction.


Interview With Craig DiLouie



Why don’t you begin by sharing a little about yourself?

Thanks for having me on your blog! I’m an American-Canadian writer of speculative fiction, what’s called a “hybrid” author these days as my work is published by both big traditional publishers and also self-published.


Could you tell us a bit about your latest book?

One of Us is a Southern Gothic dark fantasy about a disease that produces a generation of monsters now coming of age and wanting their place in society—something they may have to fight for. It’s a gritty misunderstood monster novel that also carries themes of prejudice and what makes a monster a monster. It’s been described as X-Men by way of William Faulkner, but it’s far darker than either. Author Claire North described it as The Girl with All the Gifts meets To Kill a Mockingbird, which is I think nails it.
The novel was published in hardcover mid-July 2018 and is available in the sci-fi section of your local bookstore, as well as online in hardcover, all eBook formats, and audiobook.


Why did you write this book? What was your inspiration?

I was fascinated with the idea of writing a Southern Gothic misunderstood monster novel. Southern Gothic is typically dark, gritty, and includes elements like the grotesque, taboo, prejudice, and a society in decay. The idea was to have monsters live among us, but they came from humanity biologically, and now the rest of humanity rejects them. We clearly sympathize with the monsters, but when they finally push back with extreme violence, our sympathies become pulled between them and the people living in the town. The result is a misunderstood monster novel that reveals itself as a larger examination of prejudice. One of Us doesn’t preach or pose any answers but instead simply asks the reader to experience the novel’s themes through empathy with the characters, and then reflect on them if they want to do so.


What did you enjoy most about writing your book?

I loved working with the characters in this book and building the world they live in, then revealing it with a style that combines a dark, modern thriller with a traditional Southern Gothic tone. The result really sang for me as the writer.



What did you find most challenging about writing your book?

I wanted to show the full spectrum of human ugliness revealed through some of the supposedly “normal” characters, which required violence but also a scene with sexual assault. This is a very sensitive subject to include in a novel these days, and it had to be handled carefully without being gratuitous.


Do you have a favourite character?

One of Us is a character-driven work and has an ensemble cast of both “monsters” and “normals” living in or near a small town in Georgia in 1984. I didn’t have a favorite but loved writing all of them equally.
On the monster side, you have Brain, his oversized head containing a supergenius intelligence he hides from the “normals”; Dog, who believes if he works hard and plays by the rules, he’ll get a fair shake; Goof, a funny kid with an upside-down face and an extraordinary capability that attracts the interest of the government; and Amy, a plague girl who is beautiful on the outside, allowing her to hide in plain sight. Readers seem to love Dog for his earnestness and hope.
On the “normal” side, the characters are more based on Southern Gothic small-town tropes, and while our story’s monsters are very human, many of these humans are very monstrous. You have Gaines, a small town loser in love with a girl half his age; Sheriff Burton, who sympathizes with the plague kids but oppresses them to preserve what he sees as the natural order; Jake, the preacher’s son who is also the small town rebel, and more.
The lives of all of these people intersect in multiple ways, sometimes with sympathy and understanding, other times with fear and violence, leading to an explosive conclusion.


Of all the books you've written, do you have a favourite?

I’d have to say One of Us, followed by Suffer the Children, a horror novel I wrote for Simon & Schuster (Gallery) back in 2014. That novel is about a plague that turns the world’s children into vampires who become dead unless given human blood, which turns him into the children they once were for a short time. The children are vampires, but the parents, willing to do anything to get blood and keep their children going, become the monsters, and they do it out of the purest love in the world. The question behind the novel is, “How far would you go for someone you love?”


What do you enjoy most about writing in the speculative fiction genre?

I love writing sci-fi, fantasy, and horror because you can take the familiar and put it in an unfamiliar situation, resulting in contrast that titillates and possibly reveals truth. I particularly love the possibility of writing original works that push boundaries and make readers reflect on a fundamental human trait.
That being said, my self-published work mostly consists of military fiction series. These books are just plain fun for me to write, and they’re quite popular on Amazon.


What’s your next project? Any upcoming book secrets you care to reveal?

Currently, I’m revising another novel for Orbit. This book is about a brother and sister forced to fight as child soldiers on opposite sides of a second American civil war. As with One of Us, I think it will be provocative and I hope inspire people to reflect. Readers can keep up with this and other projects at www.CraigDiLouie.com.



One of Us by Craig DiLouie



They call it the plague
A generation of children born with extreme genetic mutations.

They call it a home
But it's a place of neglect and forced labour.

They call him a Freak
But Dog is just a boy who wants to be treated as normal.

They call them dangerous
They might be right.

“This is not a kind book, or a gentle book, or a book that pulls its punches. But it’s a powerful book, and it will change you.” – Seanan McGuire, author of Every Heart a Doorway


Available at:





About the Author:

Craig DiLouie is an American-Canadian writer of speculative fiction. His works have been nominated for major literary awards, translated into multiple languages, and optioned for screen adaptation. He is a member of the Imaginative Fiction Writers Association, International Thriller Writers, and Horror Writers Association. Learn more at www.CraigDiLouie.com.





Thursday, 8 March 2018

Book Spotlight: Clockmaker

Today I have another delightful book spotlight, this time for the paranormal steampunk novel Clockmaker by Kristen Brand. Enjoy!


Clockmaker by Kristen Brand



The crew of the airship Sultana is nearly destitute. No one knows this better than its captain, Melek, who’s almost desperate enough to sell her treasured family heirlooms to pay her crew’s wages. Then a reclusive gentleman wearing a golden mask offers a fortune to transport him and a mysterious cargo to Istanbul. Needing the money, Melek can’t bring herself to refuse, even when her instincts warn of trouble.
Now strange noises haunt her airship at night, and deadly warships stalk the Sultana through dark, stormy skies. Melek’s masked passenger refuses to explain his private affairs, and she enjoys arguing with him perhaps a little too much. But he’s even more dangerous than she suspected, and she’ll have to unravel the dark intrigue he’s brought aboard her ship before it kills them all.





Clockmaker is available at:








About the Author




Kristen Brand likes writing about ghosts but is too much of a wimp to even watch the trailers of horror movies. When she’s not writing, she can usually be found reading novels or comic books, probably while drinking tea. You can find out more about her work and read free fiction at her website, kristenbrand.com


Thursday, 27 October 2016

Halloween Week: Spotlight on Furr by Axel Howerton


Today's Halloween Week post shines the spotlight of a new release, the urban fantasy novel, Furr: A Modern Gothic Fairytale by Axel Howerton. Enjoy!


Furr: A Modern Gothic Fairytale by Axel Howerton



From the South three sisters fair ran athwart the gloom.
Dressed of fur and fierce of tooth... the maidens of the moon.

Jimmy Finn is having a real bad day. He woke up drunk and on the wrong end of a nightstick. He lost his job, had to see his shrink, and he's fallen way off the wagon. Now the cops are after him, he's falling apart, and his only friend is a volatile drug lord. How could it get any worse?

As smoke envelopes the city, he finds himself on the run, and out of time. He's either losing his mind, or becoming a monster. Or maybe it's both. Jimmy Finn has one last hope. A long-buried family secret, lost somewhere in a mysterious town in the Rocky Mountains, a town full of bizarre shadows and a strange girl that haunts his memories.



Furr is available at:




AUTHOR BIO:

Axel Howerton is the author of the Arthur Ellis Award nominated "Hot Sinatra", the gothic urban fantasy "Furr" and the forthcoming "Wolf & Devil" series. His work, including short stories, columns, poetry and essays, have appeared the world over, in no fewer than five languages. Axel is the Prairies director of the Crime Writers of Canada and a member of the Canadian Science Fiction and Fantasy Association, the Calgary Crime Writers, and the Kintsugi Poets. He is also the editor of the books "Death by Drive-In", "AB Negative", and "Tall Tales of the Weird West", and is the organizer behind one of Canada's first recurring "Noir At The Bar" events, #NoirBarYYC.

Visit Axel online at www.axelhow.com to sign up for the GotHow? email list and receive free exclusive ebook collections, sneak peeks, and more. #AxelHow #GotHow




That's it for today, but don't forget my Halloween Horror Haiku Giveaway (live until October 31st) You can find it by clicking on the Giveaway Tab at the top of the blog or this link: Halloween Horror Haiku Giveaway!


Friday, 4 March 2016

Book Spotlight On Blood (Three Days of Oblenite #3)

I have a book spotlight today for the romantic dark fantasy Blood by Jean Lowe Carlson, the third book in the Three Days of Oblenite series. Plus, there's an excerpt from the book. Enjoy...



Blood (Three Days of Oblenite #3) by Jean Lowe Carlson

Brilliant surgeon Aulen Gregoire discovers by an accident of fate that his blood causes patients to survive death. His ability to steal patients from death's clutches turns into obsession, and the blessing becomes a curse as his own vitality is ripped away, craving the bliss of saving lives like a drug. Unleashed like a howling creature, his vast addiction drags him down to the deadly blue lights of the city's most desperate, where Aulen becomes the Angelus of the Catacombs.

And before his need is through, it will cost him everything; his position, friends, family, and his life.

Be advised: The book contains scenes of male rape, sexual coercion



You can find Blood at:







ABOUT THE TRILOGY

A darkly romantic, gothic paranormal fantasy series, Three Days of Oblenite is rife with superstition, piety, and devious mysticism. The trilogy takes place in a dark, Parisian Victorian atmosphere, and involves three characters desperately cursed with the powers of a dead saint. With torturous undercurrents, their lives collide in lust, obsession, addiction, desperation, and death.

“Breath” follows a woman cursed to celibacy, unable to find love because her kiss kills, all but one night a year.

“Tears” involves a man cursed to feel bliss when he is whipped, and his religious conflict as he finds himself in a relationship with the man who brings him release.

While “Blood” features a surgeon cursed with healing blood, as he descends into a desperate underworld, addicted to working miracles.


A book spotlight for Tears

A book spotlight for Breath

 


Author Bio:

Jean Lowe Carlson writes epic fantasy fiction, dark supernatural romance, and dystopian fantasy. Her sensual, raw worlds remind one of Jacqueline Carey, Clive Barker’s Imajica, Anne Rice, and Robin Hobb.
Jean holds a doctorate in Naturopathic Medicine, and has a keen awareness of psychology and human behavior, using it to paint vivid and emotionally complex characters set amidst the broader scope of nations in turmoil or societies with riveting secrets. Not afraid of exploring all kinds of relationships, including LGBTQ and BDSM, her genre-bending novels are exciting, passionate, challenging, and lush.




For more on the author and her books check out these sites:




EXCERPT FROM BLOOD

They had finally crossed the park and were heading across Rue Blounne in the Gypsun Quarter. Jessup took them left, and then down a broad avenue strung with washlines and colorful clothing that fluttered like flags in the light summer breeze. A dog barked, and a passel of wild
curl-haired children went rushing by, shrieking and giggling. A stout grammère sweeping off her stoop yelled at them and shook her fist heartily, and Aulen’s spirits soared. The Quarter was a-bustle with life on this bright summer day, and his company was good and his tedium seemed far away.
Aulen was trying, and he was doing better than he’d done in weeks. Jessup was good company, and his light demeanor was rubbing off on Aulen. Suddenly, Jessup turned left, and hustled into a little glass-fronted shop.
“Let’s make a quick stop.”
“Sure.”
Aulen ducked into the shop behind the younger man, and found himself in a cozy little cigar-store as the bell-charm upon the door rang. The shop was cramped with shelving filled with cigars and baskets of loose-leaf tobaccos, smelling heavenly of herbal smokes of all sorts. Jessup seemed to know the young man behind the glass counter, an affable Gypsun of perhaps his late twenties, and greeted him cheerily.
“Freder!”
“Jess! Didn’t think to see you today!” The wiry, dark-eyed fellow ducked out from behind the counter and embraced Jessup with a hearty slap upon the back. Jessup gave a hearty slap back, then broke from the embrace to make introductions.
“Aulen, this is Freder de Merque. Freder, this is Dotorre Aulen Gregoire. He works with Krystof Fausten at Saint Sommes Hospital.”
“Enchanté.” Aulen clasped the man’s hand.
“Likewise!” Freder was cheery and bright, much like Jessup himself, and Aulen could see how the two were fast friends.
“Aulen and I are headed down to the faire. Want to come?” Jessup leaned against the glass case full of cigars and smoking implements.
“Ahh… Dieu de merde!” Freder looked stricken. “I’m supposed to watch the shop today for grandpère.” He sucked his lower lip a moment, then seemed to come to a decision. “Hold on a tic. Go ahead and pick something out if you want, the both of you. I’ll be right back.”
Freder strode to a set of stairs off to the left that led to upper apartments over the small family shop, and was soon gone out of sight. Jessup was already perusing the shelves, picking up cigars and smelling them idly.
“You smoke, dotorre?”
Aulen shook his head, hands in his trouser-pockets, leaning upon the glass case. “Not usually. I don’t tolerate substances well. One whiskey leaves me reeling, and a whole cigar…” He smiled ruefully. “Better have a bucket and a mop handy.”
Jessup looked over his shoulder and grinned his very white and very infectious smile. “So that’s why you only ever have half a pour when you come to the bar! I wondered about that. But you can eat a whole bucket of Marnet’s beignets and have no problems!”
Aulen patted his lean stomach. “Don’t know where it goes…”
At last, Jessup selected a cigar he liked from a tall mahogany rack near the door, just as quick boots trumped down the stairs. Dark-eyed Freder was elated, grinning wide, his smile every bit as infectious as Jessup’s. He extended his arms as he jumped to the landing, like a tumbler after a trick.
“Misseurs! Freder de Merque is at your disposal! Onward, to tumbling and contorting beauties! Grab your cigars and let’s go!”
Jessup twirled his cigar with a grin and pocketed it inside his black linen waistcoat, but Aulen simply pulled away from the glass case with a rueful shake of his head.
But blithe Freder wouldn’t have it. “None for you?”
Aulen repeated his earlier admonishment. “I don’t tolerate drink or smokes well. Really not at all.”
“Come, now!” Freder pushed, his dark eyes mischievous and relentless. “We’re off to celebrate and see hot little acrobat-women! Here, try this one. They’re very mild, and it has an herbal blend you’ll enjoy. Allons!”
And he was shoving it into the inner pocket of Aulen’s taupe waistcoat with a feisty grin. And Aulen found he was grinning back, enjoying the fun, swept up in the joyous enthusiasm of Jessup and his riotous comrade “Alright! Alright! I give in!” Aulen held his hands up,
laughing now as Freder patted his cheeks in a quick rolletunde, then turned and whisked something from behind the glass cigar-case.
Freder held up a pewter flask and sloshed it teasingly, his dark eyes alight with mischief. “For later!”
“You sneaky devil.” Jessup accosted Freder and wrenched it away, unscrewing the cap and sniffing, then took a swig. “Dark’s tits!” Jessup coughed, and his eyes were watering, but he was grinning. “What the Dieu de merde is that?” He threw the flask back to Freder.
Freder gave a cheeky wink as he caught it. “Homemade apricot brandy. Theoretically. Dotorre?”
Aulen started to protest with a shake of his head.
“Come on…!”
Freder tossed him the narrow pewter flask, and Aulen caught it. The day was fine, and he was out, and they were off to see blithe entertainment. Aulen’s worries and fears had been banished to the back of his mind, and he felt decades younger and lighter of heart than he had been in months. He thought briefly of Christianne, and how much she would smile to see her husband returned home after a day of revelry and distraction from his woes. Oh, how Christianne would smile for him.
“What the hell.” Aulen grinned and unscrewed the flask’s cap. He took a swig, then coughed like Jessup had, his eyes burning like fire along with his poor throat, and indeed, his entire mouth. His belly seared like flame. Aulen threw the pewter flask back, still coughing into his
rolled-up shirtsleeve.
“Merde!” Aulen managed to croak out, and Freder laughed heartily.
“That’s the spirit!” Freder reached around the glass case once more, and tossed a second pewter flask to Aulen. “Keep that one for me, huh? Jessup drinks shit too fast…” He winked.
“You ballsy baiseur!”
Jessup laughed and launched himself at Freder, and they wrestled a moment like young men do. But Freder was stronger, both broader in shoulder and stouter than Jessup, and managed to retain control of the first flask, shoving Jessup off and running for the front door of the shop. Jessup followed briskly, and Aulen whisked forward, making the door-charm tinkle against the glass as they whisked out of the dim shop and into the sunny, sweat-thick street.
Aulen’s head buzzed nicely even from his sip of the alcohol. The day was muggy and bright, cicadas chorusing for them in the trees as the laughter of the two younger men made heads turn all the way down the laundry-choked street. Dark-eyed women admired Aulen from windows and stoops as he turned. He felt himself flush, rifling a hand through his auburn hair, not used to being attended to in such a way by anyone but Christianne.
But the day was fine and the company was good, and Aulen’s worries were pushed aside. Aulen thought again of Christianne, of how she would smile for him when he came home rested from a day of distraction and in a good mood. He picked up his boots and whisked off down the avenue behind Freder de Merque and Jessup Rohalle, deeper into the Gypsun Quarter in the full sun of the afternoon.

The Common Centrale was one of the largest squares in the city of Julis, its four-block expanse of grey pavingstones adorned with not one but four massive white-marble fountains along its sprawling length. The hub of the Gypsun Quarter, the Common Centrale was normally choked with booths and stalls as a daily open-air market. Flanked by outdoor cafes all along its perimeter, the Common was a place to see and be seen, a place where even nobility from the highest classes of Julis came to take distraction. A site of interest for tourists, the Common was a fixture of the city, and also the starting and ending-point for the annual Rollows parade.
But today, the Common was choked to the hilt with the traveling faire. Massive tents towered over the neighboring four- and five-story brick and stone buildings of the Quarter. Hawkers crowded close, crying their wares with the same blithe and raucous enthusiasm of Rollows-eve, many of them in their Rollows-masques. The square was packed with revelers gawking at faire-entertainers mingling between the booths and tents. The fountains were barely visible through the melee and a riot of colorful silk and high-arching canvas soared over it all.
The traveling faire was the height of artistic mastery and phantasma. As Aulen pushed his way through the crowd after Jessup and Freder, they passed tumblers and acrobats, contortionists and sword-swallowers, fire-jugglers and snake-singers, dancing dogs and a rabbit race. And just when Aulen thought it couldn’t get any more magnificent or bizarre, they stepped aside hastily for a parade of white chargers ridden by lovely dark-haired women, aiming for the central-most of the six massive pavilions.
“Ah, baise-moi!”
Freder mock-swooned as the women rode by in their black corsets and dripping black lace. Their costumes sported little else to cover their muscular thighs and black riding-boots, not to mention their décolletage. All of them had dark curls piled high into luxurious cascades over back masques full of cormorant and peacock feathers. Blue and green and silver beadwork edged their corsets, dripping from the lace and accentuating their sinuous undulations as they rode their strong chargers.
“Ma bien-aimée!” Freder stepped to the stirrup of a particularly buxom and healthy woman, pacing at the side of her horse to kiss her boot. She laughed heartily and set her black riding-boot to his chest, pushing Freder off with a twinkle in her eye and a wink as she guided
her white stallion on. But she reined it in suddenly and made it rear, then did a perfect leap in place, her dark eyes flashing to Freder from behind her feather-masque to make sure he appreciated her efforts on his behalf.
Freder swooned backwards into Jessup’s arms, making a show of it.
The woman upon the charger laughed, and the crowd clapped and cheered.
Freder bowed as if he were flourishing a high-topped hat.
There was a ripple of laughter as the crowd dispersed, either following the horses on towards the pavilion where they would be performing, or heading off towards other entertainment in the packed square. Freder laughed his way over to a caramel-nut seller and bought them each a bag of pacanne, then whisked out his pewter flask. They all shared a round of liquor to Freder’s admonishment of, “Drink, dotorre, drink!”
“Over there!” Freder pointed, and Aulen glanced through the crowd towards the sound of drums and chimes and a reedy flute. But Freder and Jessup were already pushing their way through, and Aulen followed, his head reeling nicely.
Aulen made a mental note to wait a while before his next swig.
The day was too bright and too much fun to be ruining his blithe time with drink.
Aulen found the rakish Gypsun duo gawking at the edge of a set of red and purple rugs from Perthe, laid down over the cobbles. Occupied by a small band of musicians at the rear, a trio of dancing women paced the front of the rugs. The women were striking and half-nude, their garments little more than gossamer veils about the hips and something to cover their breasts, with lavish jewelry and semi-precious metals dripping over everything else. Their long, straight black hair was unbound, and they danced with colorful veils of featherweight silk. Winding and weaving through each other, the talented women accented the music with hips, ribcage, arms, wrists, and even head motions.
It was erotic, and Aulen found himself blushing at the edge of the sinuous spectacle, his heart racing from drink. Freder had dropped to his knees, his hands in a prayer of adoration before the women. One of them laughed as she danced, her dark eyes merry at his antics. Jessup put a hand to his friend’s shoulder and hauled him up with a laugh, but sincere apologies to the dancers. But one lithe creature danced close to Aulen and wrapped him in her purple veil. She pulled him close and ran her smooth, full lips over his jaw before pulling away, her dark eyes daring him to do more.
Aulen gaped, his head spinning.
“Dotorre Aulen Gregoire, seducer extraordinaire!”
Aulen vaguely registered Freder at his side, slapping his back heartily and rattling him by the shoulders. The lithe, dark-eyed dancer gazed over her shoulder at Aulen as she went. Sultry, she sashayed back towards the band as the tempo changed into something more brisk with pops and slaps of percussion.
Aulen’s blood raged, watching her go
A flask was pressed into his hands.
Aulen had a long drink, wiping his mouth on his forearm.
He tried to hand the flask back, but it was pressed to his hands again. Aulen took another drink. Someone hauled him backwards with a brisk laugh, and they were off through the crowd again.

Friday, 25 September 2015

Book Spotlight: Tears by Jean Lowe Carlson

Today I have a book spotlight for dark fantasy romance Tears by Jean Lowe Carlson. It is the second book in the Three Days of Oblenite series. If you'd like to check out the first book, see my spotlight here: Book Spotlight: Breath. Now on to today's post for Tears (be warned, there is some racy, suggestible content)...



Tears by Jean Lowe Carlson

Pious half-Gypsun Phillip d’Auvery is tortured. His soul is pledged to his god, but Phillip’s life has a darker aspect that drives him to the scourging lash of the Padrenne of Saint Sommes Cathedral year after year. For Phillip’s curse is a bliss that can only be found when pain smites him until tears are shed. His blissful curse alienates him until Phillip discovers a man who understands pain and power, the stern Oruthane d’Iver. As Phillip’s love for his dominant lover grows, the two are exposed, and danger begins to follow them. But there is no greater danger than the dark secret smoldering in Phillip’s heart, which will threaten everything dear to him.

Content Warning: This book contains intense BDSM with whips.




ABOUT THE SERIES - Three Days of Oblenite (3 novels)

This darkly romantic, gothic paranormal fantasy series is rife with superstition, piety, and the devious nature of the mystic. The three novels take place in a dark version of Victorian-era Paris, and feature three characters cursed with the gifts of a dead saint. Swept up in the torturous undercurrents of their desperate curses, their lives collide in desire, lust, power, obsession, addiction, fervor, desperation, and death. “Breath” features a young woman cursed to celibacy and unable to find love because her kiss kills, all except one night a year. “Tears” tells the story of a young man cursed to feel bliss when he is whipped, and the religious conflict he feels as he finds himself in a relationship with the man who brings him release. While in “Blood”, a brilliant surgeon cursed with blood that heals descends into a desperate underworld, addicted to working miracles. And in the seedy Gypsun Quarter at the edge of the Saints Commons, there is no blessing that can save those cursed to depravity, darkness, and permission. They can only save themselves.



Excerpt:


Phillip d’Auvery moved carefully back down the steps at the altar, nodding to a few faces he recognized who were yet waiting for the Padrenne, and then turned towards a door upon the left side of the cathedral. He made his way through and up the cramped stone staircase to the narrow wainscoted hall of the cathedral’s Holy Servants offices, and entered the first door upon the left without knocking. 

The gaslamps were low in the hall and flickered soft ghosts across the forest scene on the Padrenne’s carven door as Phillip entered. The Padrenne’s offices were tidy and plain, befitting a man of his station and devoutness, and Phillip selected his usual overstuffed chair across the desk from the Padrenne’s and sat, settling in to await Henri Coulis in quiet meditation.

Minutes stretched as Phillip prepared himself for the hours ahead, eyes closed, listening to the deep midnight hush of the cathedral. Whispering footsteps came and went upon the stone in the hall. The old scents of incense wafted upon his breath, not a new stick yet lit tonight, but the deep comforting smell of a tradition of char to push back evil. It calmed Phillip’s soul, laved him in a kind of alert ease as he waited.

At last, the iron latch of the door clicked, and the ancient wood groaned inwards, and Phillip heard the rustle of Padrenne Henri’s fine garments, the black robes and white stole used only for this particular day. He heard a sigh, and then the crack as Henri Coulis popped his own back. A rustle of the fabrics came as they were hung up properly in a cupboard to the right of the door. Phillip heard the creak of leather as the Padrenne took a seat in his usual high-backed chair behind the desk, and Phillip opened his eyes at last.

“Phillip.” Henri Coulis’ red-rimmed eyes were exhausted, but his thin lips held a benevolent and satisfied smile. “How may I help you tonight?”

“I would like to conclude my Pentriant in the old way, Padrenne.”

Henri nodded, his burnished grey-opal eyes unsurprised and shining with the pleasure of devotion despite the red that rimmed them. Phillip knew why those tired eyes shone now in that time-stretched face. The next few hours would be cleansing for them both. It was merely a formality between them, Phillip’s asking with such careful propriety, after so many years. Padrenne Henri knew that Phillip d’Auvery held to the old ways, like his mother had before him, one of very few who still did.

And he also knew why.

“Very well,” Henri smiled, just a slight twist of the lips. “Give me a moment to prepare. You may strip to the waist, remove your boots and socks, and anoint yourself at the basin in the prayer niche. Then please kneel upon the bare stones before the Immaculate, my son, and settle into silent meditation. I will attend you shortly.”

“Thank you, Padrenne.” Phillip inclined his head.

“As the Immaculate wills it, my son.”

Padrenne Henri made an offering gesture towards the prayer niche with his long parchment-thin hands, and Phillip rose, turning away from the desk and walking to the niche. He settled upon the plain wooden bench by the wall and removed his boots and socks, then hung up his grey wool coat upon the peg. His trim black waistcoat followed, then his loosened cravatte was folded up neatly and tucked into a pocket of the waistcoat. Once the cravatte was gone, Phillip stripped his black shirt off over his head rather than bothering to undo all the buttons. His lean muscles ached from the day, and Phillip’s abdomen seemed thin and hollowed from fasting. He adjusted his neck and shoulders again, rolling them out a little as he took his place upon his knees before the small statue of the Immaculate in the prayer niche.

The Immaculate’s pale marble arms were open and welcoming as Phillip knelt upon the familiar cold stone floor, the effigy’s face kind and slightly wistful. Phillip knew the contours of that face, knew why the effigy seemed both pleased and saddened to see him. Phillip’s knees protested what had already been today and what was yet coming with twin surges of pain, but he consummately ignored them, settling before the effigy. He leaned forward, dipping his hands into the silver bowl of water to the side, and rubbed the water over his face, hands, neck, chest, and through his short ruff of unruly black hair. Then he rested his forearms upon the stout wooden railing that housed the statue. Phillip clasped his hands and closed his eyes. He allowed his head to fall forward and his neck to relax, his forehead coming to rest upon the wood railing with his elbows.

Immaculate trust settled within Phillip d’Auvery, and a small thrill of fear mixed with anticipation as Phillip listened to the sounds of the Padrenne moving around the room, preparing. Phillip’s rose-beads were left around his neck, their miniscule weight comforting. With long, slow breaths, Phillip d’Auvery prepared for his final Cleansing of Pentriant, and urged every muscle in his body to loosen. He heard the Padrenne approach at last, and fought the urge to tense. Henri Coulis took up his usual place directly behind Phillip, the quiet step of his bare foot a whisper in the chamber as he took his ready stance.

A thrill passed through Phillip again.

“Are you prepared to come to the Immaculate, my son, and to be Cleansed of your sufferings at last, upon this Most Holy Day of Pentriant?”

Phillip swallowed, fighting the tension of anticipation, urging his body to be calm and loose. “I am, Padrenne. Cleanse me of my sufferings, and bring me to the Everlasting Joy, the Infinite Bliss of His Holy Soul. So Be It.”

“So Be It,” Padrenne Henri murmured.

The crack of the lash startled Phillip as it always did, as it curled over his bared back and snaked around his ribs. There was always a moment, the first moment, when his body responded to the sound, tightening with surprise, before the pain came.

But then it came.
A searing of pain, a bright line of misery, a flash of horror and anguish and then the surge, the blossoming of every dark touch and miserable need of Phillip d’Auvery’s flesh and his soul. Phillip gasped at the pain, all pretense of manhood abandoned. It devoured him, blistered him, dived within him and scourged him, knifing like hot fire through every part of his poor corpse and his everlasting soul.

He had a moment to breathe. The Immaculate gave him that small concession, at least.

And then the lash fell again.

Phillip screamed, the sound torn from his throat like the beasts howling in the night, like all the desperate sinners who cried and died in torment, whose pitiful pain mimicked his own. It sent him reeling. Their suffering abounded within him. Phillip breathed it in and keened it out. Every night of passion abandoned into misery, every mother aching for a child long gone, every curl of madness and anguish and every twisted, obliterated heart that cried out into their own endless Inferno.

And then the lash fell again.

Phillip d’Auvery broke with a sob, and began to weep.

Tears beaded upon his dark eyelashes and dripped down his hanging head to his nose, dropping upon the cold stone of the floor and striking upon the wood of the stout railing. And as they fell from his lashes, Phillip felt the Ecstasy of the Immaculate begin to flow through him like honeyed wine.

Tears streamed freely now, and the lash fell a fourth time. Phillip screamed, a short cry of surprise and pain and release, rocking forward upon his elbows at the railing, absorbing the agony, taking it all in, holding it close within his heart, transmuting it. Bliss filled him, eternity filled him, life itself filled him and he gasped from the pure pleasure of the Immaculate building within, scouring away his sufferings at last. Abandoning himself to its deep succor, Phillip shuddered with livid pain and infinite pleasure. He lifted his head, the breath of his Immaculate surging through every pore. Drinking it in, he opened his throat and cried out for the Great Mercy.

The lash fell a fifth and final time.

Phillip d’Auvery fell back upon his knees and bare ankles, his elbows falling from the wooden railing. His chest opened and his head fell back, baring his throat in surrender, his hands resting palm-open at his sides, fingertips trailing upon the cold stone of the floor.

Open to the Eternal Bliss, Phillip wept in silence.

Open to the Light and the Life and the Joy, Phillip wept in silence.

Broken open, his back streamed blood from the lash and his naked throat gasped. The pure ecstasy of the Immaculate dived down Phillip’s throat and in through his closed eyes. It penetrated his chest and thrust deep into his aching flesh. And as the tears streamed down his jaw to his neck, the world opened up suddenly in the flickering lamplight behind Phillip’s closed eyes. The ecstasy rolled out from his flesh in a burgeoning wave, saturating everything it touched. No longer contained within the poor corpse that was Phillip’s body, the Immaculate’s Own Touch expanded in every direction, blessing, commanding, unstoppable, undirected, blissful.

Phillip heard Padrenne Henri fall to his knees with a short cry. And then he felt the Padrenne’s benevolent hands upon his bare shoulders as Henri Coulis was taken by the Immaculate’s ecstasy also, this night like every other. The Padrenne sighed, wrapping his stringy arms around Phillip’s chest, cradling Phillip close and resting his gaunt cheek to Phillip’s forehead. Uncaring of the blood from Phillip’s scourged back, the Padrenne cradled his Holy Son, and Phillip felt the wet of Henri’s own tears upon his forehead like a blessing from the Immaculate himself.

So it was, with Phillip d’Auvery.

That his suffering, his pain and tears, brought himself and those around him so much bliss.


Tears is available at:






Author Bio:

Jean Lowe Carlson is a writer of dark supernatural romance and epic fantasy fiction, but her novels vary widely into dystopian fantasy and even into supernatural westerns with some erotic content. Jean writes genre-bending and genderqueer fantasy, mixing a keen and gritty blend of epic, romantic, erotic, dark, supernatural, and dystopian fantasy. Her sensual, raw worlds remind one of Jacqueline Carey, Clive Barker’s Imajica, Anne Rice, and Robin Hobb. Jean holds a doctorate in Naturopathic Medicine from Bastyr University in Seattle, and as a doctor, she has a keen awareness of psychology, energy, nature, and human behavior. She currently practices Esoteric Buddhism (tantra), yoga, Reiki, and Emotional Freedom Technique (EFT). Jean pulls from this knowledge to paint vivid and emotionally complex characters, set amidst the broader scope of nations in turmoil or societies with riveting secrets or supernatural elements. Not afraid of exploring all kinds of relationships, including LGBTQ and BDSM, her novels are exciting, passionate, challenging, and lush.

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