Showing posts with label satire. Show all posts
Showing posts with label satire. Show all posts

Thursday, 21 December 2017

Book Spotlight: Even Gods Have Midlife Crises

Today I have a Christmas treat with a book spotlight for the sci-fi satire, Even Gods Have Midlife Crises by N.D. Stone. Enjoy!


Even Gods Have Midlife Crises by N.D. Stone



All Yahweh wanted was a striptease, a sandwich and admiration. All he got was a near-death experience, a pious follower called Anna, and a prissy lawyer trying to sue him. When Buddha, Odin, Thor, Krishna and Hephaestus, Yahweh's divine colleagues, catch wind of his illegal voyage back to Earth, the adventures of him and Anna become dangerous. How long can he risk the safety of not only Anna, but all of London in his quest to relive his youth? Are crisps the currency of the future? Why are gods so unbearably hungry for power, and will Buddha satisfy his hunger for doughnuts, the forbidden fruit of modern Prâwth, the home of the gods?

Never before have gods seemed so utterly human. A light-hearted and whimsical science fiction satire.





Even Gods Have Midlife Crises is available at:





About the Author

N.D. Stone is a young novelist, "Even Gods Have Midlife Crises" being his debut work. Although he has been writing novels since even before he himself was able to write (his mother was not a fan of his trashy vampire fiction), Stone started writing his first serious novel in early 2014. Stone has also dabbled in Stand-Up Comedy and Slam Poetry, but, above anything else, he loves writing satire novels.




Thursday, 27 April 2017

Book Spotlight: The Dread Lords Rising

Today I have a book spotlight for everyone, on the fantasy novel The Dread Lords Rising by J. David Phillips. Enjoy!


The Dread Lords Rising by J. David Phillips




Centuries ago, the human race was nearly crushed in its struggle to defeat the evil forces of Aboleth. Led by a powerful order known as the Valier, humankind prevailed, but at a terrible price. In their desperate attempt to achieve victory at any cost, the Valier fell and became a curse on civilization known as The Dread Lords.
 
Time has passed. The world has moved on. The Lake Valleys of Sheridan has known peace for centuries. Only, for Niam Maldies, life has been anything but tranquil.  All of his life he has been hounded by a gang of ruthless bullies; and to make matters worse, a year ago, his brother and sister died in a mysterious accident that left him reeling in pain.
 
When Niam hears a mysterious Voice that leads him into a series of dangerous situations, he and his two best friends are set on a collision course with an evil sorcerer. As the three friends struggle to uncover the culprit behind a string of ghastly and supernatural murders, they discover a greater plot that may spell doom for their homeland. Now they must rely on the strength of their friendships if they are to survive, for they were born in fulfillment of a dire prophecy: The Dread Lords must rise once again if mankind is to survive its most ancient and implacable enemy.


The Dread Lords Rising is available on Amazon





Author Bio:



J. David Phillips lives in on the Atlantic coast in beautiful Southport, NC, where he currently divides his time between writing and working in the local school system. He graduated from Western Carolina University with a BA in English, and earned an MA in English from UNC Pembroke. The Sorcerer's Fury, sequel to The Dread Lords Rising, will be out by December 25th. I Scream of Genie, the first novel in the comic fantasy Demon's Playground series will be arriving on June 3rd.



Sunday, 29 May 2016

Interview With Author Arnold Logan

Today I have an interview with fellow Canadian, and satirical author Arnold Logan. Enjoy!


Interview With Arnold Logan



Why don’t you begin by sharing a little about yourself.

Experience has been my teacher. I shrank from the firm embrace of power, preferring to learn by sitting on a footstool in the School of Hard Knocks. But I paid what seemed to be the exorbitant price that school exacts.
I once read the story of a young man who smuggled hashish from Afghanistan through Russia in the 1970s. He rode the Siberian Express train and was caught by the Russian police, only to be put in a Siberian prison for any years. On the day he was released, he followed the example of the other prisoners who’d been freed. It was the custom there to break in half the spoon which was the one piece of cutlery the prisoners were allowed to have. Every prisoner kept that tin spoon close at hand, lest it be stolen from him. If that happened, their diet of watery, compromised soup would go uneaten and be stolen by others. Like that young man, I, too, have broken my spoon in half. Perhaps I am still breaking it.


Could you tell us a bit about your latest book?


Springtime in Lawrence Park is a roman á clef, one that’s influenced by the picaresque novels of the eighteenth century. It’s a rollicking yarn, if I dare analyse my own style.
The novel follows Marie Barnacle, the heroine or subject (if you prefer). Marie is the youngest child in an old-money family that’s slid down a few rungs on Canada’s social ladder. They have great expectations for their daughter, of course. I trace Marie’s struggles as she tries to transform herself—from a chrysalis into a butterfly. But the ancient force of authority and the genetic tug of medieval history combine with the motives of her family to oppose her progress and development.


Who is your intended readership?

The reader whose reward is sympathy.


What are your writing inspirations?

For this novel, the books that feed its cold stream are Hamlet, The Tempest, everything by Daniel Defoe (but especially Roxanna), and Dickens’ Little Dorrit.
The poets have been inspirational too. Baudelaire the Miraculous, Shelley the Gentle, Keats the Giver, Poe the Obscure.


What was the most challenging part of writing this book?

The greatest challenge was to stay the course. The second was entering the arena of dialogue; I feared that the most.


What did you most enjoy about writing this book?

The triumphal whirl that came from the inspiration inherent in composing that first draft. Which, of course, was followed by the essential work—breaking up hot rocks in the sunshine of editing.


Did anything surprise you about the process of writing your book?

The joy of unearthing buried treasures in the course of rewriting.


Why did you write this book?

I felt like a tailor sewing a coat. After devising a pattern, I cut it out and selected the fabric.
I’ve always wanted to speak, to speak of the stories I’ve gleaned or suffered through or sought out curiously. This is my first effort to be heard in public.
To say that I was inspired by emotions, by tragedy, and by an urge to honour the writers who have often rescued me would seem trite, were it not true. And the sheer pleasure derived from the process—pen in hand—inspired me to continue to the end.
When the book was complete, when it was over, it felt a bit like losing a friend, which is, of course, a bitter end. But this is one friend who I may never lose fully, and I’m starting to appreciate the sweetness of closure with its potential for a new beginning and new friendships.


What’s your next project?

I’d like to write about war and orphans, but I haven’t formed an outline yet. Right now I’m bundling some poems together to send off to magazines.



Springtime in Lawrence Park


Marie Barnacle should have had the perfect life. Born into wealth and prestige, she grew up in posh Lawrence Park, with its winding roads, stone mansions, and old money. But Marie’s charmed life is haunted by a dark family secret. The youngest child of Raul and Tabitha Barnacle, Marie Dorée is burdened by her parents’ attempts to burnish the faded glory of their dynasty. This dark satire follows Marie through her troubled childhood, rebellious adolescence, and her efforts to establish a life beyond the reach of her domineering parents and possessive brothers. She traipses from one unfulfilling career to the next and drifts through a series of dalliant affairs. When she finds a love that offers a real escape, Marie’s family tightens its noose. The Barnacles would do anything to protect their darling—even destroy her. Springtime in Lawrence Park peers past the veneer of our most dignified neighbour­ hoods to explore the hidden—and often hysterical—lives of the decadent elite



You can find Springtime in Lawrence Park at:

Fire and Ash Publishing

Chapters/Indigo

It is also available on




Friday, 10 July 2015

Interview With Robert Eggleton

Today I have a great interview with talented writer Robert Eggleton, author of Rarity from the Hollow. Enjoy...



Why don’t you begin by sharing a little about yourself.

Thanks for the invitation. I was born in 1951, the oldest son of an impoverished family in West Virginia. We received government surplus food called commodities. My alcoholic and occasionally abusive father had PTSD from WWII. It was called shell shock back then.
My mom did the best she could, but somebody had to support my family. I worked odd jobs until I got a minimum wage one in a drug store when I was twelve. I’ve made payments into America’s Social Security fund for the next fifty-two years.
In the 8th grade, I won the school’s short story contest: a redneck semi truck driver became so obsessed with the conflict between Jewish vs. Christian theology that he lost concentration on the road and caused a terrible accident. I decided that I wanted to be a writer and dreamed of getting rich. As it often does, life got in the way. Between school and work, I was too exhausted to write any more stories until recently.
I continued to work at various minimum wage jobs during high school and college. Work, antiwar activities and school kept me too busy to write stories, so I wrote poems on scraps of paper. One was published in the state’s 1972 West Virginia Student Poetry Anthology. Another was published in a local zine. I graduated in 1973 with a degree in social work and received an MSW from WVU in 1977.
After college, I focused on children’s advocacy. The Vietnam War and the draft had ended. My new political cause became children’s rights and welfare. I was involved in this emotionally charged work for the next forty years. It supplanted my need to write fiction. Instead, I wrote manuals, research, investigative, and statistical reports. 
In 2003, I became a children’s psychotherapist at our local community mental health center. It was an intensive program for kids with very severe emotional disturbances. One day at work in 2006, during a group therapy session, I met the real-life role model for my fictional protagonist. Lacy Dawn had been severely abused, but was so resilient that it was inspiring to everybody who met her, staff and her peers alike.
I started writing fiction. Three short Lacy Dawn Adventures have been published in magazines.  My debut novel, Rarity from the Hollow, was released in 2012 by Dog Horn Publishing, a small traditional press located in Leeds. In May 2015, I retired from my job as a children’s psychotherapist so that I could concentrate on writing fiction that introduces Lacy Dawn to the rest of the world.  


Can you tell us about your book, Rarity from the Hollow?

Sure, but I don’t want to spoil anything for its readers. This novel, similar to the truck driver’s introspections that I mentioned before, is full of contrasts: harsh reality amplifies outrageous fantasy, bitterness blends into acceptance and empowerment, tragedy inspires comedy, and a biography of a victim becomes a science fiction story. It does not fit neatly into a genre, such as romance, horror or even speculative fiction.

This novel was written for an adult audience, but does not have graphic sex scenes, a lot of violence or any of the other similar content that one might assume to be attributable to an Adults Only classification. It is sweet but frank and honest with no holds barred. It addresses the complexities of real life for some people, but presents sensitive topics that might trigger emotional distress with comic relief. My intent was for readers to enjoy the experiences that I created with everyday words and colloquialism, but not to gloss over realism in the way that some YA titles accomplish.

In a nutshell, Rarity from the Hollow is about a little girl who learns to be the Savior of the Universe with the help of her family and friends. It’s up to readers to decide which scenes are dissociative as a result of Lacy Dawn’s traumas and which scenes are pure fantasy and science fiction.


Your book integrates serious social issues into its narrative. What led you to write a novel that included these issues?

The short answer to your question is tradition. Historically, fiction has fueled social activism, debate, and the adoption of evolving or devolving social policy. Frankly, while I've read nonstop for decades, when I started writing it, I was not aware of the big debate in the marketplace about whether fiction should or should not be pure escapism. I now belong to a writer’s group in cyberspace with members who debate this very issue. The focus seems to be on whether the inclusion of serious topics in fictional works would help or hurt sales.

Did the GLBTQ titles increasingly being released, and the popularity of television shows such as Modern Family, influence the U.S. Supreme Court’s decision that same-sex marriage was a Constitutional right? I don’t know and the answer wouldn’t make any difference to my products. I simply write what I know, what I’ve experienced in my own life, and hope that readers enjoy the comical slant that I place on complex issues.  

I do believe that all artists have an opportunity to have a positive or negative impact on society. Artists aspire to achieve an audience. They need one as much as they need oxygen or food. There are many examples of fund-raising campaigns for various wonderful causes put together by popular artists. It was in remembrance of George Harrison’s Concert for Bangladesh that I have donated author proceeds to a child abuse prevention program in West Virginia.     


Why did you decide to use the SF/Fantasy genre as the underpinning of the novel, as opposed to another genre?

I selected the SF/F backdrop for this story because it was the best fit by process of elimination. The novel also has elements of horror, mystery, romance, self-help, and thriller. It is not a good example of the historical or western genres, although the social issues that we talked about before have been present throughout history, including in the Wild West.

In today’s reality the systems in place to help maltreated children are woefully inadequate. I felt that the literary, biographical, nonfiction genres wouldn’t work because the story would have been so depressing that only the most determined would have finished it.

I felt that the story had to be hopeful. I wanted it to inspire survivors of child maltreatment toward competitiveness within our existing economic structures, instead of folks using past victimization as an excuse for inactivity. I didn’t think that anybody would bite on the theme of a knight on a white stallion galloping off a hillside to swoop victims into safety, like in the traditional romance genre.  That almost never actually happens in real life, so that genre was too unrealistic as the primary. There was already enough horror in the story, so that genre was out too. What could be more horrific than child abuse?

The protagonist and her traumatized teammates needed fantastical elements to achieve empowerment. But, as in life, one cannot overcome barriers to the pursuit of happiness by simply imagining them away. That’s where the science fiction came into play. It provided a power source. I tied the science fiction to Capitalism because in today’s reality it will take significant financial investment by benefactors to significantly improve the welfare of children in the world. Our governments are unlikely to do so in the near future because of the politics.


What did you find most challenging about writing Rarity from the Hollow?

Writing comes easy for me, but the third scene in the story was especially challenging. It was a domestic violence scene that triggered my own psychological distress. Tears blurred my vision each time that I reworked it. The only other challenges were the typical ones that all writers of anything experience, such as proofreading what you intended to write instead of what’s actually on the page. After I submitted a story to a publisher in the early morning hours of July 4, 2014, I still found typos that I’d missed.


Your book is also, in part, a satire. Was that a conscious choice to offset the more stark aspects of the novel, or did it evolve as a natural process of writing? 

I’ve always loved to read the puns, the double entendres, and satire in the works of others. I’m sure that had a big impact on what I write. Some of the satire in this novel evolved as a natural process, while other sections were inserted because I had found the narrative in need of a lighter tone to offset stark aspects. If I found a place during the drafts that I felt was too “heavy” for me to read as its writer, I figured that it would be way to much for the reader.


Do you having any writing inspirations or favourite authors?

I’m not sure that you have enough bandwidth for me to make a complete list of inspirations and favourites, so here’s a few. Ferlinghetti, the poet of the Beat Generation, showed me how to enjoy my anger about political and societal issues. Similarly, Vonnegut’s anger in Breakfast of Champions helped me stay strong as a children’s advocate and as a writer, and how to experiment with my writing style outside of commonly accepted structures and formats. The Lord of the Rings trilogy and the Harry Potter series reinforced my faith in the potential of adolescent morality and the future of the world. Watership Down by R. Adams was such a sweet adventure that some of this element just is a necessary ingredient of even the scariest or saddest story. The versatility in cross-genre and the use of humour by Bradbury had to have been a subliminal inspiration, especially now that I think about it. Dean Koontz has been masterful. Hitchhikers Guide to the Galaxy by D. Adams and Another Roadside Attraction by Robbins pushed me into the wilder side of writing regardless of censorship, as did the Fabulous Furry Freak Brothers comics. And, Stephen King’s use of everyday horror convinced me that alarming scenes can be created by using almost anything as a prop.


What do you like to do when you're not writing?
Is this a trick question? Nobody can always do what they like to do, but the activity that I like most is reading. Of course, there are other activities that I enjoy, such as watching WVU sports, gardening, home repairs, family events, and my son, he’s 41, always has something new and fun to show me, usually from the internet.

What’s next for you?

Hah! This is another trick question.  I will continue to write fiction for eternity.


Author Bio:

Robert Eggleton has served as a children's advocate for over forty years. He is best known for his investigative reports about children’s programs, most of which were published by the West Virginia Supreme Court where he worked from 1982 through 1997. Today, he is a recently retired psychotherapist from the mental health center in Charleston, West Virginia. Rarity from the Hollow is his debut novel and its release followed publication of three short Lacy Dawn Adventures in magazines: Wingspan Quarterly, Beyond Centauri, and Atomjack Science Fiction. Author proceeds have been donated to a child abuse prevention program operated by Children’s Home Society of West Virginia: http://www.childhswv.org/

Find out more about Robert Eggleton and his books and these websites: 
https://www.goodreads.com/book/show/13603677-rarity-from-the-hollow 
https://www.facebook.com/robert.eggleton2 
https://twitter.com/roberteggleton2





Rarity from the Hollow

Lacy Dawn's father relives the Gulf War, her mother's teeth are rotting out, and her best friend is murdered by the meanest daddy on Earth. Life in the hollow is hard. She has one advantage -- an android was inserted into her life and is working with her to cure her parents. But, he wants something in exchange. It's up to her to save the Universe. Lacy Dawn doesn't mind saving the universe, but her family and friends come first.

Rarity from the Hollow is adult literary science fiction filled with tragedy, comedy and satire.



“The most enjoyable science fiction novel I have read in years.”
—Temple Emmet Williams, Author, former editor for Reader’s Digest


“Quirky, profane, disturbing… In the space between a few lines we go from hardscrabble realism to pure sci-fi/fantasy. It’s quite a trip.”
—    Evelyn Somers, The Missouri Review




About the Author: I recently retired after 52 years of contributions into the U.S. Social Security fund so that I could write and promote my fiction. I’m a former mental health psychotherapist in West Virginia. But, after coming home drained from working with child abuse victims, I didn't have the energy left to begin its self-promotion. Author proceeds have been donated to a child abuse prevention program in my home state. http://www.childhswv.org/ A listing of services that are supported can be found here: http://mountainrhinestones.blogspot.com/2015/06/review-giveaway-rarity-from-hollow-by.html.  

The Press: Dog Horn Publishing is a traditional small press located in Leeds. Adam Lowe is the owner. http://www.doghornpublishing.com/wordpress/books/rarity-from-the-hollow  The press also showcases other semi avant garde titles and publishes a popular magazine for the GLBTQ community (Vada).  

Purchase links:


Link for excerpt of the 1st Chapter: http://www.wattpad.com/12596126-rarity-from-the-hollow-excerpt








Wednesday, 26 September 2012

A Guest Post: The Books of Randy Attwood

 Author Randy Attwood stops by today, to share about his books, a collection of edgy novels:

 The Books of Randy Attwood


Crazy About You

I grew up on the grounds of a Kansas mental hospital because my father was the dentist for Larned State Hospital and the State provided our housing there. You grow up around crazy people and they don't seem so bizarre to you. Seemed natural that I'd write a story based in that environment, and so Crazy About You got started. Brad Adams is going to have a week in his life that grows him up faster than he ever wanted to. Reviewers have called it a coming-of-age, young adult; some see it has a mystery/thriller. I used to get upset when people asked how much of what I wrote was true. Did they think I didn't have any imagination? Later, I realized it was a high compliment. The words on paper had created a reality for them and they thought all I was doing was describing it. That, for me, is what writing is all about: using words on paper to create a reality for the reader. They think you are just describing a reality and don't realize that the words are creating that reality.



One More Victim

I started writing the poem that ends One More Victim about 1975. It was February. I had looked out the window of the back door of our small house in Hutchinson, KS and saw crows pecking holes in our black garbage sacks.

First stanza came easy enough:


In February the crows come,
To pick though my garbage,
Make holes in the black plastic sack
And scatter its entrails over the snow.


For some reason that prompted an idea for a story that I started, and then stopped, and then went back to, and then stopped. That continued for about 25 years. And when I finished the story – turned out to be a three-part novella – the end of the poem came to me. I consider it my Heart of Darkness.

Because the Holocaust is a critical element in the plot, the story is classified as world literature, Jewish. And the few times I have offered it for free, it hit the #1 free download Amazon ranking in that category. A couple of times it has reached #92 in the paid category. I've used One More Victim as the title of a paperback POD collection that also contains "The Saltness of Time" and three short stories.


SPILL: Big Oil + Sex = Game On

SPILL is a political satire: a comedy that was written out of despair. When you write for 30 years and have such little publishing success to show for it, you do tend to doubt yourself. I thought what I was doing was pretty good, but I might be self-delusional. So I decided to write a comedy. If you made a reader laugh, the writing succeeded. I had a bar acquaintance who worked as a small-package deliveryman. He mentioned one time that his delivery that day was taking the head of a dog to the state veterinary school for rabies testing. That whole scene stuck with me. And gas prices were soaring. And I, and my whole department, had been laid off at the educational institution where I had worked for 16 years. I had the time. The SPILL wrote itself in three months. I've never written any novel that quickly. And it gave me a lot of laughs. It also secured me my agent. Haven't sold it yet, but they come close. It also got me into epublishing. I'd always thought self-publishing was an admission of failure. But a couple editors at a couple houses encouraged my agents to urge me to do SPILL an ebook. So I did, and thought, heck, why not that other stuff that's just sitting in my file cabinets. Now I have 13 works live with three more to come. Here are the first two paragraphs from SPILL:

Fred Underwood was driving his 15-year-old, once-white, now rust-speckled Nissan pickup six miles over the speed limit on his way to deliver the head of a dog to the state’s vet school for rabies testing when several things happened to him.
He saw a sign announcing—as though proud of the fact—that gasoline at the upcoming station was selling for $4.15 a gallon. He looked into the rear view mirror when he heard a siren and confirmed that, indeed, a police car was chasing him. He uttered, “Shit,” but then felt his body swept with euphoria: an idea smacked him that would make him rich.




Rabbletown: Life in These United Christian States of Holy America

Long before 1984 arrived, I had a dream of writing a novel called 2084. I constructed long biographies and future histories to show how by the time 2084 arrived the religious right would have taken complete power over America and rule her with a Bible in each fist. I thought it would be a long book and be told in tales from various decades. And it came to nothing. Again it showed me that outlining was no use for me; it actually hindered my writing. But I had a beginning segment of a mason returning home after a 14 hour day working on construction a huge cathedral for the Church of the Evangels, who ruled America. I finally just continued with that opening scene show what life was like for Bob and his wife and their 14 children, one of them Bobby, who had an amazing memory for Bible verses.

Here's that opening scene for Rabbletown:

Bob Crowley, drunk and very tired, almost tripped over the broken toy truck before kicking it out of his way then trudging around the side of the house to the back of a former duplex that now housed six families of 50-some Christian souls. Work on the Great Christian State of Kansas Cathedral went on from dawn to dusk, almost a 14-hour, hot, summer day. After Bob had made the long climb back to the ground, he stopped at one of the small booze-holes at the edge of Rabbletown to drink its oily-smelling, stomach-wrenching, blessedly mind-numbing alcohol before going home. Now, in the doorway to his basement apartment, he burped and smelled the sour acid of his empty stomach. Pulling the burlap sack of tools off his shoulder and dropping it to the floor when he entered, the noise of his own household assaulted him. The twins came, screaming their welcome, and he picked the bag of tools back up, swung, and caught one of them on the side of the head, sending him sprawling sideways and setting up a wail of tears and pain that caused his wife to yell, “Stop beatin’ the kids, will ya?”
“Well keep the little retards away from me.”

Doesn't sound like a pleasant, Christian household does it?


Blow Up the Roses

I have never known the end of a story when I start it. It seems knowing the end is a fraud upon the reader. I start with a scene, or an idea, or a character, and then learn about the characters and follow what they do. When I found out the horror of what Mrs. Keene's renter was doing in Blow Up the Roses, I almost just quit writing it. But some characters demand their existence: this serial, pedophile killer tied me to my chair and extracted words from me as sure as blood from his victims. Blow Up the Roses is being published by Curiosity Quills and should soon be available as a paperback POD and an ebook. The language of flowers can be brutally frank.

Here's the chilling opening scene:

Mr. Brown closed the door on the whimpers and walked up the stairs to take a shower. He stood under the stream of water and leaned his head against the wall of the shower stall. "Mommy loves me. Mommy loveth me. Mommy loveth me," he whispered to himself as his heart slowed. Those pictures should really be something, he thought to himself. As good as these stills would be, though, he knew there was no way they would show the wriggling. That's what he loved, how they wriggled trying to get away from him. The audio cassette tape he supplied with the pictures made quite a package, but it was time to get into video-taping. He could invest some of the profits from the stills in good equipment. He already had the lights. If only he had a partner. But who could you trust in a thing like this? Sure there were plenty of others out there, if the way his distributor bought his picture-cassette tape packages were any guide, but how could you find one you could trust to work the camera? He'd just have to find some way to rig the camera in a static position. If he could afford it, he could buy about three cameras and ring the area, then splice the tape. He could be as careful as he was with the still pictures and the cassettes to ensure that nothing in them identified him. Maybe they offered some lessons on video tape splicing at the community college. They taught everything else there.
He reached for the soap, brought it to a lather in his hands, and then washed the blood from his penis.

You can check out Randy's books on Amazon

Saturday, 28 April 2012

Of Farce and Fantasy: A Review of Magnus Opum

My Book Review of Magnus Opum by Jonathan Gould:


Magnus Opum by Jonathan Gould is whimsical fantasy novel, that trips along the path fantastic. It takes a quiet approach to its storytelling, but also regales the reader with a frothy sprinkling of satire and wit.

The book begins with an unlikely hero, Magnus Mandalora, an unassuming character from Lower Kertoob. An unexpected event turns his life askew and sends him off into the world. He embarks on a spy mission of sorts, finds friends and unlikely allies, and uncovers enemies, danger and escapades galore.

The narrative style follows the traditional epic quest, but folds in an absurdist quality, balancing the plot on a decidedly quirky edge. The characters are both amusing and appealing, and carry the reader blithely along on the adventure. On the surface the story portrays itself as a conventional, if fanciful, fantasy, with a touch of light farce, but by its end has flipped a few fantasy traditions on their head.

I enjoyed reading this book very much with its clever turn of phrase and endearing characters. It never renders too much idiosyncrasy, or becomes overburdened with cuteness. It strikes a perfect balance of odd and sincere and I give it an enthusiastic recommend.


The book is available from Amazon Kindle: http://www.amazon.com/Magnus-Opum-ebook/dp/B007QGNO1I

Wednesday, 21 September 2011

Madcap Fun: A Review of Doodling by Jonathan Gould

My Book Review of Doodling:


Doodling by Jonathan Gould is absurd, quirky, breezy, fun and a total delight to read. It is also a witty little metaphor for today’s social climate, without being preachy or heavy-handed. The book makes some subtle observations while maintaining its air of entertainment.

The book begins with Neville Lansdowne falling off the world. Literally. After the shock wears off he sets out exploring a nearby asteroid field, and finds out he’s not the only one who fell. From there his adventures just commence.

The premise of Doodling is unusual, surreal and not the least bit scientific, but from the moment you begin reading, the book enchants with its style. It weaves an alluring charm with its eccentric farce that amuses and captivates. Odd characters and fantastic situations abound, flit through your imagination with verve, before settling around you in a warm, clever cosiness. I couldn’t help but imagine this book as a wonderful animated film.

Doodling is a thoroughly pleasing book and I highly recommend it.

Amazon Link:  http://www.amazon.com/Doodling-ebook/dp/B004KSQVCO/
Smashwords Link: http://www.smashwords.com/books/view/41101?ref=scribe77

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