Tuesday, 22 May 2012

Adventures in Self-Publishing: A Guest Post by Ethan Jones

Today, please welcome guest blogger Ethan Jones, as he talks about self-publishing and introduces his book that launches today, Arctic Wargame:


My Adventures in Self-publishing


First things first: Self-publishing is a lot of fun and a lot of work at the same time. It’s a venture into an adventure.

I shopped my two novels, Arctic Wargame (out on Amazon on May 22) and Tripoli’s Target (out in fall 2012), to a few hundred agents and publishers over the course of 2009-2011. I received some great feedback. A few agents asked for a partial manuscript and two or three for a full. But no one was willing to make an offer or sign a contract. In the mean time, I kept writing.

I had not considered self-publishing because it seemed like a lot of work and I had truly hoped an agency or a publisher would pick up my works. Upon the suggestion of a good friend, I dusted off my first novel, Arctic Wargame. I found three great beta readers, all published writers, and we took a new stab at my gibberish. Then, I worked with two great editors and proofreaders, to create the best possible work. After formatting it professionally, it finally saw the light of publishing through Amazon.

Self-publishing, like many other things, is not for everyone. It is a lot of work, most of it done independently. It involved a lot of multi-tasking, being creative and relentless. The writer needs to be also a salesman and a publicists, to take care of the promotion and the marketing of the book, and to work with an art designer for the cover. Then, it's the turn to format the work and upload it to the right distribution channels. And let us not forget your social network and web presence.

Of course, most of these services can be contracted depending on your budget, but the majority of up-and-coming writers may not have the necessary sources to cover all or a part of these expenses. Depending on what one is willing to do on their own, the total cost for a book can range from a few hundred to a few thousand dollars.

The flexibility, the freedom and the low pressure are three things I liked during my adventures in self-publishing. There are no deadlines, other than those you impose on yourself, and those are quite flexible. If the editor does not return your manuscript on time, there are no upset agents or publishing managers. If the cover art is not acceptable, there is always time for a second or third or fourth draft. Interviews and blog posts can be scheduled around your life, not the other way around. You are free to do as much or as little promotion as you want.

The time-consuming, the learning curve and multi-tasking are three things I struggled with as I ventured into the self-publishing route. The first time is the hardest, of course. It takes a lot of time to find the right beta readers and editors. One must be willing to learn how to give interviews, how to conceptualize a cover design for their work, how to draft a press release and how to handle media inquiries. All these processes take time. Over the course of the same day a writer must wear so many other hats.

Needless to say, all these activities take away a lot of time and energy that otherwise would have been invested in writing another book. But self-publishing offers authors that direct communication to their readers, allows them to make their work accessible to everyone, everywhere in the world, and enables them to keep the price down, while still keeping an excellent margin of profit (70% of the sale price through Amazon, if you work is priced between $ 2.99 and $ 9.99). Above all, it allows the authors to realize their long-time dream of publishing their work and entertaining their readers.

I would love your readers' feedback. They can get in touch with me via e-mail at this address: fictionwriter78@yahoo.com  I promise to write to each and every one of them.
My blog - http://ethanjones.blog.com - is the place to learn about my future works, to enjoy exclusive book reviews and author interviews.
I'm also on Facebook at http://www.facebook.com/pages/Ethan-Jones/329693267050697
Follow me on Twitter: @EthanJonesBooks
 
 
Author Bio:

Ethan Jones is a lawyer by trade and the author of Arctic Wargame, a spy thriller available on Amazon as an e-book and paperback.  He has also published two short stories: Carved in Memory, a prequel to Arctic Wargame, and The Last Confession, both available on Amazon as e-books.  His second spy thriller, Tripoli’s Target, will be released in fall 2012.  Ethan lives in Canada with his wife and his son.



Arctic Wargame



Canadian Intelligence Service Agent Justin Hall—combat-hardened in operations throughout Northern Africa—has been demoted after a botched mission in Libya.
When two foreign icebreakers appear in Canadian Arctic waters, Justin volunteers for the reconnaissance mission, eager to return to the field.  His team discovers a foreign weapons cache deep in the Arctic, but they are not aware that a spy has infiltrated the Department of National Defence.
The team begins to unravel a treasonous plan against Canada, but they fall under attack from one of their own.  Disarmed and stripped of their survival gear, they are stranded in a remote location.  Now the team must survive the deadly Arctic not only to save themselves, but their country.


Excerpt: 


PROLOGUE

Ghadames, Libya
Six months ago
October 10, 3:00 a.m.

The sand dunes sank into darkness as a curtain of clouds dimmed the glow of the crescent moon. Justin limped closer to the small barred window of his prison cell. His bruised chest pressed against the rough surface of the bloodstained wall. He squinted and tried to stand on his toes for a better look. The rusty shackles clawed against the scarred skin of his ankles, and the heavy chain rattled on the cement floor.
“Quiet. Be quiet, you bastard infidel,” a guard growled in Arabic from down the shadowy prison hallway.
Justin stood still and drew in a deep breath, the cold night air of the Sahara desert filling his heaving lungs. Everything went silent again. No rapid steps rushing to his cell. No swearing bellowed by other inmates. He lifted his head, wrapped his free hands around the iron bars, and clenched his teeth, ignoring the jolts of pain from his fingers. With his eyes about an inch over the windowsill, Justin scoped the landscape, searching for the long-awaited rescue team.
Abdul, his connection within Libya’s Internal Security Agency who lay in the cell next door, had confirmed their escape was to take place early that morning. Their previous attempt the night before had failed, despite the inside help of one of the terrorists. Justin hoped this time their plan would be executed with no glitches.
At first, he noticed nothing except the rugged outlines of the steep dunes and the whitewashed walls of the sleepy town. Straining his eyes, he peered again. A small shadow slithered toward the prison wall. Justin blinked to clear his vision and stared at the approaching figure.
Bent at the waist, the shadow advanced at a rapid pace. It quickly disappeared from his sight, and he wondered whether the man had encountered a guard.
Justin’s heart pounded. He placed his ear to the wall and sensed a low grating noise. Someone, the shadow he hoped, was scaling the wall.
The window was at least twelve feet above the ground. He wondered how long it would take the shadow to reach it. A long minute dragged by and Justin was still alone. He breathed faster and faster and urged the man on the freedom side of the wall to make good time.
Finally, a hushed voice whispered in Arabic, “Abdul, Abdul, it’s me, Bashir. You there?”
“I’m Justin,” he replied softly.
“You’re the Canadian agent. Where’s Abdul?”
“In the other cell, around the corner, but that one has no window.”
“When did they move him?”
“A few hours ago, after they gave him a good beating.”
“Can he walk?”
“I think so.”
Bashir went silent for a moment. Justin looked up, but could not see the man’s face through the window. He asked slowly, “Bashir?”
“Shhhh.”
A few seconds later, he heard a scraping sound. Bashir was offering him a large metal key through the window bars. “That’s for the shackles,” Bashir said under his breath, “and this is for the guard.” He produced a black dagger.
Justin grabbed the handle and weighed the weapon in his weak hand. A ray of moonlight glinted off the ten-inch blade.
“Can you do this?” Bashir whispered.
“Yes.”
“You have only one chance. I’ll wait for you and Abdul in two black Nissans by the main gate. Then we’ll drive across the border to Tunisia.”
Justin frowned. “What about the hostages? The two Canadian doctors?”
“The Algerians moved them from their safe house to another location, out of the prison but still in town. My men are on their way there.”
“And Carrie?”
“Yes, your partner is with them.”
Justin breathed a sigh of relief. “OK. I’ll make sure Abdul and I meet you by the gate.”
“You’ll have to be quiet. About twenty men are guarding the prison, and we can’t defeat them all.”
“OK.”
“Abdul knows the way, but if you can’t free him, walk down the stairs and go left. The hall will take you to a small courtyard on the ground floor. There will be a guard or two by the gate. You need to cross into the house next door.”
“Downstairs, then left, then to the house,” Justin said, finding it a bit difficult to concentrate on Bashir’s words.
“Yes. Get to the roof of the house and drop down along the side facing the mosque. Follow the road leading to the main gate. Is it clear?”
“Yes, it is.”
Bashir’s clothes rubbed against the wall, and then silence returned to Justin’s cell. He stared at the key and the dagger in his right hand. Stepping back from the window, he was careful not to jerk the chain and alert the guard beyond the solid metal door. The key fit into the shackles’ padlock. He coughed loudly as he turned the key to cover the dull clunk of the lock snapping open. Now almost free, he removed the metal loops from around his ankles.
First imprisoned in Tripoli after their hostage rescue operation went wrong, Justin and Abdul were subjected to torture by the Algerian hostage takers for two days. After Justin and Abdul attempted an escape and killed a guard in the process, the Algerians––with the help of the Libyan secret police––moved them to Ghadames, an isolated and less risky place in their minds.
Justin wasted no time. He took a deep breath, gripped the dagger tightly, and called out to the guard, “Hey, open the door.”
“Shut up,” the guard roared back.
“I need to talk to you.”
“No. Just shut up.”
Justin banged twice on the heavy door.
The guard’s voice grew louder as he drew nearer to the door. “What’s the matter with you? You want me to break your leg?”
Justin slammed his fist against the door.
“That’s it. You asked for it,” the guard shouted.
Keys clattered as the guard struggled to find the right one to unlock the door. Justin stepped to the side and lifted his dagger high, waiting for the right moment. His hand shook. The weapon felt heavy, straining his muscles.
“I’m going to beat some sense into you now,” the guard barked.
As the guard shoved open the door, Justin thrust his hand toward the man’s throat. The blade slashed deep under the man’s thick chin, severing his windpipe. The guard dropped dead into his stretched arms, blood sputtering from the man’s mangled neck.
Justin used the guard’s black robe and turban to wipe the blood stains from his face and his arms. He stripped the man of his keys, his side arm—an old Beretta 92 pistol—his AK-47 assault rifle and two magazines. Justin dragged the body to a corner of his cell and locked the door behind him.
He tiptoed to Abdul’s cell. On the second try, he found the right key. As he opened the door, the powerful stench of sweat and urine almost twisted his stomach inside out. Abdul was lying against a wall, asleep.
“Abdul, Abdul, wake up.” Justin rustled him.
“Huh? What?” Abdul mumbled with a big yawn.
“Time to go, man.”
“Justin, how did you…” Abdul sat up slowly and stared into Justin’s eyes.
“Bashir gave me a key and a knife.”
“Bashir? When did he come?”
“Tell you later. Let’s go. Can you walk?”
“Yes, yes, I can.”
Justin unchained Abdul’s bruised legs and helped him to his feet. Abdul leaned against the wall before taking a few unsteady steps.
“I’m good. I can do this,” Abdul said.
“OK, follow me.”
“First, give me that.” Abdul pointed at the assault rifle.
“Bashir said we need to break out in silence. Too many fighters for us to kill them all.”
Abdul held the AK-47 in his hands with difficulty and fumbled with the safety switch. Finally, he switched it to full automatic. “Just in case,” he mumbled.
“Let’s go.”
Justin threw a glance down the hall and signaled for Abdul to follow him. They moved quickly to the end of the narrow hallway, their bare feet tapping lightly on the concrete floor, grains of sand gritting their toes.
“We go to the first floor, then left,” Justin said as they came to a spiral staircase.
“Then what?”
“Left through the hall until we reach the courtyard. We have to go through the door taking us to the house next to the prison. Bashir will wait for us at the main gate.”
“What? That’s Bashir’s plan? There’s always a group of guards in the back.”
“He said there should be only one, two at the most, and we have to get rid of them quietly.”
“That’s impossible. They’ll see us as we go outside and kill us.”
“Maybe they’re dozing off.”
“If not, we shoot first.”
“No. We’ll have the rest of the Algerians coming after us.”
Justin winced as his left foot landed on the coarse surface of the first stair. He took two more steps and turned his head. Abdul nodded and followed behind him. Holding the dagger ready in his hand, Justin continued down the stairs. He reached the bottom. The hall forked right and left. A light flickered from the right. Justin stepped back, gesturing for Abdul to stop.
“What’s that way?” Justin asked in a hushed tone, pointing toward the light.
“A kitchen and a dining area. And someone’s awake.”“Don’t worry about it. We’re slipping out the other way.”
Justin glimpsed again toward the dim light, then to the opposite side and began creeping down the hall. He saw a door about twenty steps ahead and figured it was the one opening into the courtyard. Pressing on, he quickened his pace. Abdul’s feet shuffled loudly behind him.
“Quiet, quiet, Abdul,” he said.
“That’s not me.”
Justin turned his head and looked over Abdul’s shoulders. He stared right into the eyes of a man standing five or six steps behind Abdul and pointing a pistol at them. The gunman was of a small, thin stature, clad in a white robe and a black headdress.
“Stop or I’ll blow your head off,” he said in Arabic.
The gunman’s voice crackled abruptly. Its unexpected high pitch startled Justin. The pistol shook in the young man’s hands.
“He’s just a kid,” Justin whispered to Abdul, who was preparing to turn his rifle toward the gunman.
“I will shoot you,” the young man squeaked, this time louder. “You, turn around with your hands in the air,” he ordered Abdul.
Abdul swung on his heels, firing a quick burst.
“No,” Justin shouted.
Bullets went through the gunman. Two large purple stains appeared on his chest as he collapsed over a chair.
“No, no, no,” Justin cried. “He was a kid, just a kid.”
“Who was going to blow our heads off,” Abdul replied.
“We could have talked to him.”
Abdul shook his head. “No time for talk. Now run.”
Before Justin could say anything, someone kicked open the door behind him.
“Down,” Abdul shouted and pointed his AK-47 toward the door.
Justin fell to the floor, while Abdul kept his finger on the assault rifle’s trigger. Bullets pierced the bodies of two guards who entered the hall. Loud cries and barking orders came from two stories above. Rapid thuds of heavy boots echoed throughout the prison. Justin pulled out the Beretta from a pocket of his tattered khakis. As soon as two men running downstairs entered his sights, he planted a couple of bullets in each man’s neck.
“Go, go, go. Move, move!” he yelled at Abdul.
Abdul checked the door and fired a short burst into the courtyard. A few shrieks confirmed he hit his mark, and he dove outside. More gunfire followed. The reports of assault rifles echoed in the night. Heavy machine guns hammering in the distance pounded the urgency of their escape into the Canadian agent. After trading his Beretta for a high-powered AK-47 next to the body of a dead guard, Justin joined Abdul in the courtyard.

Arctic Wargames is available at Amazon:  http://www.amazon.com/Arctic-Wargame-Justin-Novel-ebook/dp/B0084FH6M8/


Monday, 7 May 2012

For the Merry Month of Mae: Guest Blogger Angela Yuriko Smith


A while back I read a great indie book called the End of Mae, and made a friends with its author, Angela Smith.  Now she has taken End of Mae, as well as her other book, No Money Marketing, done some polishing, some revisions, and re-released them both into the world.  To celebrate she has embarked on a month long book and blog tour, her Mae Awareness Month.

This blog is one of her tour stops and today Angela is here with a guest post about truth in fiction, plus a book giveaway.  That's right, not only do you get to read her insights, but any and all who read this post get the chance to download a free ebook of End of Mae.
Just pop on over to Smashwords and use the coupon:

End of Mae: https://www.smashwords.com/books/view/63958
Promotional price: $0.00
Coupon Code: TU95T
Expires: May 31, 2012




The Truth in Fiction


The best lie contains a grain of truth.  In the same way the best fiction has the aroma of reality pervading its nooks and crannies.  I find for myself that reality tends to wind thru my fabrications without letting me in on the secret.  I'm as surprised as the reader by some of the happenings that occur under my tapping fingers.  Then one day it hits me from nowhere.  What I thought I made up was really something, or someone, that happened.

An example of this is my frigid and cruel character Ms. Prym.  She is described as being thin and severe.  She reminds Mae of a fairytale witch and is only too happy to be the disciplinarian for her master Heylel.  Prym is the scariest creature in the whole tale I think and she affects me on a deeply personal level.  When I started weaving Prym and Heylel's interactions with Mae I found it upsetting enough that I put the whole thing down and wouldn't continue the story for about 5 years.

It was during an interview that I made the connection myself as to who Prym really was to me.  I was asked what inspired her "psychotic Quaker" charm.  I thought a moment and then replied that she kind of reminded me of my 5th grade elementary teacher.  A lightening bolt went off in my mind with clarity and I realised Prym was my 5th grade teacher.  She never actually drug me down to a basement to teach me manners with a board but I imagine she would have, given the opportunity.

Since that first epiphany of the reality that lurked in my fiction I've seen it everywhere.  I harvest characters all the time now in the people I meet in daily life.  By the same token I see shadows of flesh and blood friends peeking thru the eyes of my characters.  It's a way to collect all the most interesting and best parts of everyone I know.  I can hoard smiles and bitter looks like other people keep Longaberger baskets.  Bad days are petri dishes for breeding sour emotions for later use.  Good days can be stored up, savoured and used in times of drought.  Reality is the framework upon which story tellers weave.

That's what I love most about being a writer.  To spin stories is to live in a world painted in shades of reality.  Like ghost whisperers, writers communicate with those even the grave can't wrap around.  We go beyond the veils that segregate the worlds of the living and into unimaginable territory, but only because we haven't thought of it yet.


You can check out Angela's website here:
http://dandilyonfluff.com/

You can find the complete tour schedule for Mae Awareness Month here:  

Monday, 30 April 2012

Love and Circuses: A Review of The Midget's House

My Book Review of The Midget's House by Anita Bartholomew:



I loved this book. Now I might have been a bit pre-disposed to enjoy it considering it’s full of things that interest me: ghosts, history and circus performers, but there is enough charm and grace in the book to entrance any reader.

The book essentially tells the story of two women, Marisa, who is starting her life over after loss, and the ghostly Lucinda, whose truth has been lost in time. Their stories interweave in a fascinating tale of mystery, ghosts, romance, and circus history until they collide in a tense conclusion.

The perspective of this novel is told from two points-of views, Marisa’s and Lucinda’s, and shifts the reader back and forth from the modern day to the early 20th century. Now this change could have easily become disjointed, but the author makes the transition seamless, and as a reader I flowed through the story effortlessly. Both Marisa and Lucinda are compelling characters -never seeming helpless or weak, even when they faced adversity- and you are naturally pulled into their captivating parallel stories.

The book is also rich in alluring backdrops of setting and description. Both worlds come to life exquisitely as the book takes you on a charismatic journey through modern Florida and the bygone era of the heydays of carnivals and circuses. This lovely detailing keeps the book’s pace flowing perfectly until the end.

The Midget’s House is an easy and enthusiastic recommend

Saturday, 28 April 2012

Of Farce and Fantasy: A Review of Magnus Opum

My Book Review of Magnus Opum by Jonathan Gould:


Magnus Opum by Jonathan Gould is whimsical fantasy novel, that trips along the path fantastic. It takes a quiet approach to its storytelling, but also regales the reader with a frothy sprinkling of satire and wit.

The book begins with an unlikely hero, Magnus Mandalora, an unassuming character from Lower Kertoob. An unexpected event turns his life askew and sends him off into the world. He embarks on a spy mission of sorts, finds friends and unlikely allies, and uncovers enemies, danger and escapades galore.

The narrative style follows the traditional epic quest, but folds in an absurdist quality, balancing the plot on a decidedly quirky edge. The characters are both amusing and appealing, and carry the reader blithely along on the adventure. On the surface the story portrays itself as a conventional, if fanciful, fantasy, with a touch of light farce, but by its end has flipped a few fantasy traditions on their head.

I enjoyed reading this book very much with its clever turn of phrase and endearing characters. It never renders too much idiosyncrasy, or becomes overburdened with cuteness. It strikes a perfect balance of odd and sincere and I give it an enthusiastic recommend.


The book is available from Amazon Kindle: http://www.amazon.com/Magnus-Opum-ebook/dp/B007QGNO1I

Saturday, 21 April 2012

Interview with Caddy Rowland

Today, another author joins us for interview.  Please welcome Caddy Rowland, author of The Gastien Series...


1. Why don’t you begin by sharing a little about yourself.

Well, I have been published for less than a year. I had always wanted to write a novel, but put it on hold. You know, that “someday” file. Then, two years ago, I got breast cancer.  It was caught really early, so I am completely cured, but getting cancer taught me that “someday” can easily never come. After I had finished up with radiation and started to get my strength back, I decided to go for it.


2. Can you tell us about your book, Gastien Part 1: The Cost of the Dream?

It is the first book in The Gastien Series (there will be five). This book is really Gastien’s coming of age, and his struggle to stay alive on the streets of Paris.  It takes place in late nineteenth century Paris. That was during the height of Impressionism in painting.  Gastien is from a farm, the eldest son of a cruel, abusive father.  He leaves home at eighteen to become a painter and, no matter what the cost, have his own studio.  Peasants owning property was almost impossible in those days.  Because he suffered physical and mental abuse, he would like to feel something besides pain, but does not want to get close to anyone. He  decides to become a very skilled lover.  That way he can finally feel pleasure. He heard his father using his mother and how it made her cry, so he vows to also make it wonderful for the women he partners with.  That was unheard of in those days, so he would become a very desirable lover by the wives and daughters of the upper classes.
There is a lot of darkness and struggle in the book. Gastien vowed to stop at nothing to get his dream. When promoting the book, I like to say:  Sometimes the “impossible” is possible. But the cost can be extremely high.


3. What motivated you to write Gastien’s story?

I am also a painter, so that era has always interested me. I did some past life regression and ended up back during that timeframe in Paris. Reading about that whole bohemian artist era in Paris is fascinating! People think we are decadent now, but we are nothing compared to Montmartre and everything that was legal there! And what a time to be painting! The camera had been invented so artists were forced to think in new ways.  Just reproducing realism had lost its glow. In order to stay needed artists had to show things in new ways.


4. What do you find most appealing about writing historical fiction?

I get lost in the period.  It is such fun learning about the things people did not have, and about what things were considered acceptable and not acceptable. It is great fun to add historical events to fictional ones. I hope it gives the reader a sense of belonging to another time.


5. What’s the hardest part of the writing process for you?

I need to work on weaving in historical events and facts better instead of dumping too much information at once. I would say that is hardest for me.


6. How much research do you do for your books?

I spend just as much time researching as I do writing the story. I use the internet and various books.  I had three books that I used a lot for the first two books in the series.


7. What was the best advice you ever received as a writer?

To go indie. I did not realize that the majority of new authors were doing that. What freedom!


8. Who has inspired you as an author?

I don’t have specific authors that inspire my writing, but I do have certain ones I love to read.  They tend to be male for some reason.  I liked Harold Robbins, Sidney Sheldon, John Steinbeck, and George Orwell (1984 is my favorite novel).
All of these authors wrote raw, gritty stories that were not always pretty.  Some were very graphic and angst ridden.  I like a story that causes strong reaction.  I don’t write pretty, I write real. I also write for a reader who likes characters who are at times hated, and yet loved. Readers who do not expect a certain formula, but want to be entertained and moved.
 I also really love William Burroughs, an old beatnik writer.  His novels are very surreal.  Not for those looking for realism, the writing is like an abstract painting.


9.  What’s next for you?

Well, Gastien Part 2: From Dream to Destiny came out in December and I am currently working on the third book in the series.  The name of it is Tristan Michel: Bloodline of Passion.  I hope to have it out in May.  Then I will write books four and five.  After that, who knows?  I have several novels pounding on my brain.


Caddy's sites:

Her blog: Writer of Fiction, Painter of Life and Energy
Meet Gastien Beauchamp: http://www.facebook.com/Gastien.Beauchamp

Where to Find Gastien (Part One: The Cost of the Dream):

Available in Paperback at https://www.createspace.com/3664944
Available on Amazon for Kindle http://tinyurl.com/3ecu8ku
Available on Barnes and Noble for NOOK http://tinyurl.com/3luddg7

Where to Find Gastien Part 2: From Dream to Destiny:

Available in Paperback at https://www.createspace.com/3749863
Available on Amazon for Kindle http://tinyurl.com/bv9zosn
Available on Barnes and Noble for NOOK http://tinyurl.com/cx87deq

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